Prewriting Your Screenplay

A Step-by-Step Guide to Generating Stories
1. Auflage 2018
ISBN: 978-1-138-48228-9
Verlag: Routledge

Buch, Englisch, 256 Seiten, Format (B × H): 161 mm x 240 mm, Gewicht: 540 g

Prewriting Your Screenplay cements all the bricks of a story’s foundations together and forms a single, organic story-growing technique, starting with a blank slate. It shows writers how to design each element so that they perfectly interlock together like pieces of a puzzle, creating a stronger story foundation that does not leave gaps and holes for readers to find. This construction process is performed one piece at a time, one character at a time, building and incorporating each element into the whole.

The book provides a clear-cut set of lessons that teaches how to construct that story base around concepts as individual as the writer’s personal opinions, helping to foster an individual writer’s voice. It also features end-of-chapter exercises that offer step-by-step guidance in applying each lesson, providing screenwriters with a concrete approach to building a strong foundation for a screenplay. This is the quintessential book for all writers taking their first steps towards developing a screenplay from nothing, getting them over that first monumental hump, resulting in a well-formulated story concept that is cohesive and professional.

Autoren/Hrsg.

Tabb, Michael

Fachgebiete

• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmdrehbücher
• Geisteswissenschaften Kunst Kunstformen, Kunsthandwerk Installations-, Aktions-, Computer- und Videokunst

Inhaltsverzeichnis

List of figures

Foreword

Acknowledgments

Preface

ACT 1: Story origins

1 Premise

2 Genre

3 The brainstorm

ACT 2: Character creation

4 Character development

5 Protagonist

6 Antagonist

7 Can the protagonist be the antagonist?

8 Love interests

9 Mentor

10 Dual mentors

11 Allies

12 Final reflections on characters

ACT 3: Culmination

13 Some assembly required

14 From concept to story

15 Loglines

16 Three-act structure

17 Reverse engineering from plot to premise

Final words of advice

Bibliography

Special thanks

Illustrators

About the author

Endorsements

Index

Über Autor(innen)

Michael Tabb has developed projects for and with Universal Studios, Disney Feature Animation, Intrepid Pictures, the Canton Company at Warner Brothers; producers Paul Schiff, Sean Daniel, and Lawrence Bender; directors Thor Freudenthal and Mike Newell; comic book icon Stan Lee; and actor Dustin Hoffman. A decadelong current and active WGAW member, Tabb serves on the WGAW Writer’s Education Committee and co-created the union’s first mentor program. Tabb has lectured at writers conferences from coast to coast and in classrooms at Florida State University, UCLA, and USC, having tested his story-development theories as a multiple award–winning MFA professor at Full Sail University.

With a love of giving back, Michael has spoken on entertainment writing for UCLA, NYU, USC, FSU, Columbia College of Chicago’s Semester in L.A., Florida’s and San Diego’s Writers Conferences, Screenwriters’ World Conference, Comic-Con International, film festivals, and his union, the Writers’ Guild of America, West (WGA). Michael volunteered time to guest instruct inner-city youths for the Writers’ Guild Foundation Community Outreach Program and serves on the WGAW’s Writer’s Education Committee. He co-created and spearheaded the WGA Mentor Program from its inception for its New Members’ Committee. Michael is a multiple award-winning, MFA screenwriting educator for Full Sail University. He was educated at USC, NYU’s Tisch School of the Arts, and UCLA’s School of Theater, Film & Television Professional Program in Screenwriting.