Till / Valman | Hoxton Hall | Buch | 978-1-80413-033-9 | www.sack.de

Buch, Englisch, 244 Seiten, Format (B × H): 161 mm x 240 mm, Gewicht: 612 g

Till / Valman

Hoxton Hall

The History of an East End Music Hall
Erscheinungsjahr 2026
ISBN: 978-1-80413-033-9
Verlag: University of Exeter Press

The History of an East End Music Hall

Buch, Englisch, 244 Seiten, Format (B × H): 161 mm x 240 mm, Gewicht: 612 g

ISBN: 978-1-80413-033-9
Verlag: University of Exeter Press


One of London’s best-kept secrets, Hoxton Hall, built in 1863, is one of only a handful of surviving Victorian music halls in Britain. This book presents a history of the building and its role in the social life of a deprived but resilient area of the city, celebrating the Hall’s reopening in 2015 after a two-year, Heritage Lottery-funded, refurbishment.

This landmark volume charts the Hall’s many different guises over more than a century and a half of activity, from its founding as exemplar of Victorian rational recreation to a working-class variety music hall; from headquarters of a prominent evangelical temperance movement to outpost of a Quaker East-End mission; from pioneer of 1970s community arts to today’s multipurpose centre reflecting the diversity of the neighbourhood it still serves.

The wide-ranging contributions gathered here offer an invaluable lens for understanding an area of London that has experienced comprehensive social change during the lifetime of the venue. This unique history of a building brings together scholars of architectural, theatrical, musical and entertainment history, and of social and religious history, to chart the various lives of Hoxton Hall and those who have been drawn to this remarkable space.

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Weitere Infos & Material


Introduction Nicholas Till and Nadia Valman

DOI: 10.47788/LASV5187

1. Hoxton Hall tells its own story Victor Belcher

DOI: 10.47788/IPYC3695

2. A tour of Hoxton Hall John Earl

DOI: 10.47788/HYVE8278

3. Placing Hoxton Hall in historical context: east London and modern urban popular culture Michael Peplar

DOI: 10.47788/DVQT9397

4. Hoxton Hall and the licensing of East End entertainment venues (1863–1871) Deborah Jeffries

DOI: 10.47788/TMET3307

5.‘First-Class Evening Entertainments’: the opening programme for Hoxton Hall, November 1863 Nicholas Till

DOI: 10.47788/GUWI9611

6. The Blue Ribbon Temperance Mission and the Girls’ Guild of Good Life (1879–1946) Jeremy Crump

DOI: 10.47788/EZWC7008

7. The Bedford Institute and Quaker philanthropists (1895–1945) Siân Roberts

DOI: 10.47788/OEML6782

8. Rebuilding Hoxton Hall’s postwar community: May Scott’s (1945–1975) Holly-Gale Millette

DOI: 10.47788/AHOV5209

9. Experiments in community arts and theatre as education (1970–1990) Maddy Costa

DOI: 10.47788/HPYX7792

10. Regeneration, gentrification and community (1990–2010) Nicholas Holden and Mark O’Thomas

DOI: 10.47788/YUUX3104

11. Managing crisis (2005–2015) Hayley White

DOI: 10.47788/MQVI4660

12. Out of the dust: reflections on a new vision for an old hall (2015–2022) Karena Johnson

DOI: 10.47788/PCVD6073


Valman, Nadia
Nadia Valman is Professor of Urban Literature at Queen Mary University of London. She researches the history and culture of East London.

Till, Nicholas
Nicholas Till is a historian, theorist and practitioner of opera and music theatre, and is Emeritus Professor of Opera and Music Theatre at the universities of Sussex and Amsterdam. He has had a long association with Hoxton Hall since he first worked there as a volunteer in 1984.

Nicholas Till is a historian, theorist and practitioner of opera and music theatre, and is Emeritus Professor of Opera and Music Theatre at the universities of Sussex and Amsterdam. He has had a long association with Hoxton Hall since he first worked there as a volunteer in 1984.

Nadia Valman is Professor of Urban Literature at Queen Mary University of London. She researches the history and culture of East London.



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