Titley | A Poetic Discontent | Buch | 978-0-567-28321-4 | www.sack.de

Buch, Englisch, Band 419, 224 Seiten, Format (B × H): 161 mm x 240 mm, Gewicht: 520 g

Reihe: The Library of New Testament Studies

Titley

A Poetic Discontent


Erscheinungsjahr 2010
ISBN: 978-0-567-28321-4
Verlag: Bloomsbury 3PL

Buch, Englisch, Band 419, 224 Seiten, Format (B × H): 161 mm x 240 mm, Gewicht: 520 g

Reihe: The Library of New Testament Studies

ISBN: 978-0-567-28321-4
Verlag: Bloomsbury 3PL


Austin Farrer has often been described as the one genius that the Church of England produced in the twentieth century. He wrote and spoke widely as a philosophical theologian, a biblical scholar and as a preacher. Farrer's philosophical work is read widely and some of his sermons are still in print, forty years after his death. His biblical writings, however, have been largely ignored, even at the time they were written. Robert Titley asks whether, in respect of his work on the Gospel of Mark, this neglect is justified. Titley's approach is from three angles, looking at Farrer on Mark as literature, as history, and as scripture. Farrer's reflections are far from simple, and they show that these apparently simple categories, 'Literature', 'History' and 'Scripture', are themselves in need of refinement if they are not to mislead.

Titley examines two major texts of Farrer's: his 1948 Bampton Lectures, published as The Glass of Vision, and his A Study in St Mark (1951). Other works, notably his second look at Gospel interpretation, St Matthew and St Mark (1954), and several lectures, articles and sermons, are also significant. Farrer's essential observation about Mark (and other biblical writings) is that they are the products of creative, 'poetic' minds. Titley argues that, while Farrer makes an error in treating Mark as poetry rather than prose narrative, he nevertheless shows remarkable prescience when his work is viewed in the light of the subsequent emergence of a 'literary paradigm' in Gospel interpretation. In particular, Titley demonstrates that a conversation with Farrer's work has something to contribute to the continuing debate about whether - and, if so, how - to take account of authorial intention in reading a text, and about what significance - if any - can be given to statements about what a text 'means.'

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Note on abbreviations
INTRODUCTION

PART ONE - FOUNDATIONS: THE GLASS OF VISION
1. The Lectures
2. Evaluation
3. Summary of the main questions raised by The Glass of Vision

PART TWO - MARK AS LITERATURE
4. A Study in St Mark
5. General conclusions on Farrer's thesis and method in A Study in St Mark
6. Austin Farrer and his critics
7. Mark's Literary Critics – Rhoads, Dewey & Michie
8. Mark as Literature - Conclusions

PART THREE - MARK AS HISTORY
9. Reading Mark Historically
10. Mark's Original Audience
11. Mark's Work
12. The Pre-history of Mark
13. Mark: A Window on Event?
14. Mark as History - Conclusions

PART FOUR - MARK AS SCRIPTURE
15. Scripture and the Action of God
16. Farrer and the Canon
17. Conclusion

CONCLUSION
BIBLIOGRAPHY


Titley, Robert
Robert Titley is Director of Ordinands for the Anglican Diocese of Southwark, and a Canon Residentiary of Southwark Cathedral, London, UK

Robert Titley is Director of Ordinands for the Anglican Diocese of Southwark, and a Canon Residentiary of Southwark Cathedral, London, UK



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