van Aerde | Egypt and the Augustan Cultural Revolution: An Interpretative Archaeological Overview | Buch | 978-90-429-4057-4 | www.sack.de

Buch, Englisch, Band 38, 193 Seiten, Format (B × H): 211 mm x 274 mm, Gewicht: 544 g

Reihe: Babesch Supplementa

van Aerde

Egypt and the Augustan Cultural Revolution: An Interpretative Archaeological Overview


1. Auflage 2019
ISBN: 978-90-429-4057-4
Verlag: PEETERS PUB

Buch, Englisch, Band 38, 193 Seiten, Format (B × H): 211 mm x 274 mm, Gewicht: 544 g

Reihe: Babesch Supplementa

ISBN: 978-90-429-4057-4
Verlag: PEETERS PUB


This book presents an archaeological overview of the presence and

development of Egyptian material culture in the context of Augustan

Rome. The Augustan period was a crucial turning point for the urban

landscape of Rome, which became specifically characterised by a complex,

and often flexible repertoire of cultural diver¬sity. Studies in the

past have focused primarily on (classical) Greek influences on the

development of Augus¬tan material culture, while objects featuring

Egyptian styles, themes and materials have remained generally

categorised as exoticism, a fashion trend, or signs of so-called

‘Egyptomania’. The research presented and discussed in this book, in

contrast, raises the question whether and how ‘Egypt’ constituted an

integral part of this Augustan material culture repertoire.

By comprising for the first time a comprehensive and interpretative

overview of such manifestations of Egypt in Rome, including public

monuments, paintings, and architectural elements, as well as pottery,

gems, and jewellery from private contexts, the study offers wide-ranging

case studies, featuring object reappraisals as well as new

archaeological finds and contextual analyses. By focusing on the

archaeological data, rather than on the often better-known historical

and textual sources, this books offers new arguments and evidence that

the role of ‘Egypt’, as represented in the material culture of the city

of Rome, was not that of an exotic outsider, but constituted a

remarkably diverse and inherent part of the Augustan material culture

repertoire and urban landscape.

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