Making Digital History

Archives, Analysis, and Communication
1. Auflage 2026
ISBN: 978-1-032-25326-8
Verlag: Taylor & Francis Ltd

Buch, Englisch, 200 Seiten, Format (B × H): 156 mm x 234 mm, Gewicht: 453 g

This is a compact guide to digital history for practice and research. It not only shows how sources are captured, preserved, and communicated as digital data, but also how these sources are enriched through conversion into digital formats which enable new modes of interpretation and presentation.

Divided into three parts, this book offers a wide range of topical case studies, introduces cutting-edge methodologies, and provides a closer look at new challenges such as preventing loss by technological obsolescence. Part One builds a foundational knowledge of digital history, including the role of the archive, both digital and analogue. It is supported by best practices to manage things like cultural protocols and how archival materials are stored and shared. Part Two explores the common elements of data analysis used in digital history, assuming no prior knowledge. This section will develop an understanding of why scholars select one method over another, and how certain types of sources and data lend themselves to different approaches. Part Three discusses how research findings may be applied and communicated to a public audience, including educational curricula, in the heritage industry, in public cultural institutions (GLAM), and through Public History programs. Finally, the role of non-specialist volunteers in crowdsourcing (citizen archivists and citizen historians) is explored as a way of engaging the public in the production of digital history through active participation in research projects.

With the growth of digital sources, from born digital data to the digital conversion of analogue sources, digital history is fast moving towards what all history is. This is therefore a vital guide and core text for undergraduate students of history. It is also important supplementary reading for studies in digital humanities, digital media and communications, visual studies, and museum and heritage studies.

Zielgruppe

Undergraduate Core

Autoren/Hrsg.

Van Dyk, Garritt

Fachgebiete

• Geisteswissenschaften Kunst Kunst, allgemein Kunstsammlung, Museen, Ausstellungen
• Geisteswissenschaften Geschichtswissenschaft Geschichtswissenschaft Allgemein

Inhaltsverzeichnis

1. History, Digital History, and the View from the Archive 1.1 Definitions: History, Quantitative History, and Digital History 1.2 What is Digital History? 1.3 What is an Archive? Preservation of Physical materials, and How do Archives Decide what to Keep 1.4 The Digital Archive: Born Digital and Image Capture, Enhancement (Transcription/Optical Character Recognition), Transformation and Text Encoding 1.5 Indigenous Digital Archives: Digital Sovereignty, Right of Reply to GLAM Sector, Community-Driven Curating Protocols – Preservation of Knowledge and Culture 2. Data Analysis and Visualization 2.1 Data and Databases 2.2 Using Online Repositories of Online Data and Web Scraping 2.3 A Short History of Data Visualization 2.4 An Introduction to Creating Data Visualizations 3. Communication and Presentation 3.1 Educational Curricula 3.2 Heritage and Digital Media 3.3 Digital History in the GLAM Space: Immersive Experiences, Virtual Exhibitions, and Social Media Engagement 3.4 Public History Online: Podcasts, Video, Social Media, Interactive Websites, Digital Archives, and Crowdsourcing Transcription. Conclusion: The Future of Digital History?

Über Autor(innen)

Garritt Van Dyk is Senior Lecturer in History at University of Waikato. He is a regular contributor to The Conversation and has taught at the University of Newcastle, the University of Melbourne, and Macquarie University. His PhD is from the University of Sydney.