Verhagen | Jan Dibbets, The Photographic Work | Buch | 978-90-5867-991-8 | www.sack.de

Buch, Englisch, 200 Seiten, Format (B × H): 172 mm x 232 mm, Gewicht: 734 g

Verhagen

Jan Dibbets, The Photographic Work


01. Auflage 2014
ISBN: 978-90-5867-991-8
Verlag: Leuven University Press

Buch, Englisch, 200 Seiten, Format (B × H): 172 mm x 232 mm, Gewicht: 734 g

ISBN: 978-90-5867-991-8
Verlag: Leuven University Press


The first monograph covering Dibbets's iconic photographic oeuvre.

Dutchman Jan Dibbets (b. 1941) is one of the principal artists to have introduced photography into the plastic arts, and this as early as the 1960s. At a time when photography has massively invaded contemporary art institutions - not without generating confusion and excess - it is not easy to evaluate the full radicality of Dibbets's approach. This radicalism has nothing to do with modernist overkill. Dibbets did not merely go further than others; rather, he simply went 'elsewhere'. Beginning in 1967, he embarked on a long-range project which, as we advance into the 21st century, he seems not to have abandoned: the 'pictorializing' of photography. Jan Dibbets is one of the few artists of his generation and reputation not to have seen his oeuvre accorded full monographic coverage. This exhaustive study seeks to fill this gap by covering almost fifty years of his photographic oeuvre.

This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).

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Autoren/Hrsg.


Weitere Infos & Material


Preface

Foreword

Introduction

Part 1 Context(s) / Beginnings

A Rapid Rise

Going in the Opposite Direction: A Conceptual Crossing
Conceptual photography: the impossible document
On representation
The Perspective Corrections
“Audiovisual Documentation”: the exhibition at the Museum Haus Lange in Krefeld
Process
Metro piece—Paris, The Halifax Diary

Robin Redbreast's Territory

Elective Affinities: An Impure Minimal Art
Contradictions

Illusionism

Other criteria
Objecthood
Ontological quest
Sequences
The Shadowpieces
Flood Tide
The Shortest Day
Shutterspeed Pieces

Part 2 Pretext(s) / Developments
From Nature to Color
The horizon
The aquatic and vegetal subjects
The Colorstudies

From Structure to Architecture
The Structure panoramas

The last floors, Piccolo mondo, Kosmos, Untitled

The tributes to Saenredam

From Architecture to Windows

San Casciano dei Bagni

Eiffeltower
The first cupolas

The last cupolas

The windows

Minneapolis, Wayzata Windows

The elliptical windows

Part 3 Conclusion

Conclusion

Notes

Bibliography / Exhibitions
Writings by Jan Dibbets

Interviews with Jan Dibbets

Books on Jan Dibbets

Miscellaneous Publications
Selected solo exhibitions
Selected group exhibitions

Index of Works

Photographic Credits


Verhagen, Erik
Erik Verhagen is professor of art history at Université de Lille.



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