Seeing Film and Reading Feminist Theology

A Dialogue
1. Auflage 2007
ISBN: 978-1-349-53493-7
Verlag: Palgrave Macmillan

Buch, Englisch, 297 Seiten, Format (B × H): 140 mm x 216 mm, Gewicht: 390 g

Using feminist theory and examining films that describe women artists who see others through the lens of feminist theology, this book puts forward an original view of the act of seeing as an ethical activity - a gesture of respect for and belief in another person's visible and invisible sides, which guarantees the safekeeping of the Other's memory.

Zielgruppe

Research

Autoren/Hrsg.

Vollmer, U.

Fachgebiete

• Sozialwissenschaften Soziologie | Soziale Arbeit Soziale Gruppen/Soziale Themen Gender Studies, Geschlechtersoziologie
• Geisteswissenschaften Philosophie Moderne Philosophische Disziplinen Feministische Philosophie, Gender Studies
• Geisteswissenschaften Kunst Kunst, allgemein
• Geisteswissenschaften Philosophie Ethik, Moralphilosophie
• Geisteswissenschaften Religionswissenschaft Religionswissenschaft Allgemein Religiöse Fragen von Sexualität, Geschlecht und Beziehungen

Inhaltsverzeichnis

PART I: WHAT DOES IT MEAN TO SEE AND TO BE SEEN? CONSIDERATIONS IN PHILOSOPHY, FEMINIST THEOLOGY AND FEMINIST FILM THEORY PART TWO: SEEING THE OTHER: WOMEN AS ARTISTS Bruno Nuytten: Camille Claudel Agnès Merlet: Artemisia Sally Potter: The Tango Lesson Conclusion: The Act of Seeing, Seen in a New Way

Über Autor(innen)

ULRIKE VOLLMER is Teaching Fellow in Religious Studies and Islamic Studies in the Department of Theology at the University of Wales, UK.