Buch, Englisch, 304 Seiten, Format (B × H): 151 mm x 203 mm, Gewicht: 561 g
Buch, Englisch, 304 Seiten, Format (B × H): 151 mm x 203 mm, Gewicht: 561 g
ISBN: 978-0-520-27097-8
Verlag: University of California Press
In this exhilarating book, Anne Middleton Wagner challenges readers to rethink the work of a range of post-World War II artists--Jasper Johns, Andy Warhol, Maya Lin, Bruce Nauman, and Agnes Martin among them--and thus to re-assess the relationship of art to politics and social life. The art of U.S. empire, she argues, is marked by deep dividedness.
Painters and sculptors seemed entranced by American symbols, yet used them to enigmatic ends--exuberant, nightmarish, or both. Nor could postwar culture decide if it preserved sites devoted to productive withdrawal--for artists, the special zone called the studio--or simply maintained a margin where numbed subjects rehearsed the rites of vanished self-expression.
This book charts the to-and-fro in recent American art between acknowledging the facts of nation and consumerism, and searching for meaningful models. And it shows that this process engages--even structures--national history and the citizen's self.
Autoren/Hrsg.
Weitere Infos & Material
Introduction: Type Casting
Part I. A House Divided
1. Jasper Johns's Flag
2. Andy Warhol's Patriotism
3. Matta-Clark's Cut
4. Maya Lin's Memorial
5. Kara Walker's History
Part II. A Place of Safety
6. David Smith: Heavy Metal
7. Flavin's Limited Light
8. Nauman's Body of Sculpture
9. Bourgeois Fantasy
10. How Eva Hesse Named Her Work
11. Agnes Martin: The Cause of the Response
12. Performance, Video, and the Rhetoric of Presence
Notes
Acknowledgments
List of Illustrations
Index




