Penultimate Curiosity

How Science Swims in the Slipstream of Ultimate Questions
Erscheinungsjahr 2019
ISBN: 978-0-19-883928-6
Verlag: OXFORD UNIV PR

Buch, Englisch, 496 Seiten, Format (B × H): 170 mm x 244 mm, Gewicht: 848 g

When young children first begin to ask 'why?' they embark on a journey with no final destination. The need to make sense of the world as a whole is an ultimate curiosity that lies at the root of all human religions. It has, in many cultures, shaped and motivated a more down to earth scientific interest in the physical world, which could therefore be described as penultimate curiosity.

These two manifestations of curiosity have a history of connection that goes back deep into the human past. Tracing that history all the way from cave painting to quantum physics, this book (a collaboration between a painter and a physical scientist that uses illustrations throughout the narrative) sets out to explain the nature of the long entanglement between religion and science: the ultimate and the penultimate curiosity.

Autoren/Hrsg.

Wagner, Roger

Briggs, Andrew

Fachgebiete

• Geisteswissenschaften Philosophie Wissenschaftstheorie, Wissenschaftsphilosophie
• Naturwissenschaften Physik Physik Allgemein
• Interdisziplinäres Wissenschaften Wissenschaften Interdisziplinär Religion & Wissenschaft
• Geisteswissenschaften Christentum, Christliche Theologie Christentum/Christliche Theologie Allgemein
• Geisteswissenschaften Geschichtswissenschaft Geschichtswissenschaft Allgemein
• Interdisziplinäres Wissenschaften Wissenschaften: Allgemeines Populärwissenschaftliche Werke
• Geisteswissenschaften Religionswissenschaft Religionswissenschaft Allgemein Religion & Wissenschaft
• Geisteswissenschaften Philosophie Philosophie: Allgemeines, Methoden
• Geisteswissenschaften Religionswissenschaft Sonstige Religionen Sonstige Religionen: Theologie, Doktrine
• Geisteswissenschaften Geschichtswissenschaft Weltgeschichte & Geschichte einzelner Länder und Gebietsräume Europäische Geschichte

Inhaltsverzeichnis

- PART I: In the Beginning I

- 1: The First Men

- 2: Tentasali

- 3: Watauinawa

- 4: The Garden of Eden Moment

- 5: Primate Parallels

- 6: Horizons of Curiosity

- 7: Ultimate Curiosity

- PART II: God Driven Science

- 8: The Lions of Miletus

- 9: The Move to Athens

- 10: Through the Academy Door

- PART III: Encounters in Alexandria

- 11: Two Students

- 12: The Divided City

- 13: Industrious Jack

- 14: The Creation of the World

- PART IV: The Long Argument

- 15: The Dream of Aristotle

- 16: Al Ghazali's Pilgrimmage

- 17: A Tale of Two Cities

- 18: Imposed Silence

- 19: Experimental Science

- 20: The Universal Law

- PART V: The Open Book of Heaven

- 21: Against Aristotle

- 22: Free Philosophising

- 23: The Freedom of Intellect

- 24: Simplicius Reborn

- 25: The Creation

- PART VI: Priests of Nature

- 26: A New Era

- 27: A Lutheran Astrologer

- 28: The Experimental Philosophy

- 29: The Oxonian Sparkles

- PART VII: The Ocean of Truth

- 30: Le Grand Newton

- 31: The Beautiful System

- 32: Mathematical Theologies

- 33: The Coast of Infinity

- PART VIII: Voyages of Discovery

- 34: Two Journeys

- 35: The Mystery of Mysteries

- 36: The Creed of Science

- PART IX: In the Beginning II

- 37: The Literary Inquest

- 38: Breaking the Seals

- 39: The Intellectual Picklock

- 40: In a Strange Land

- 41: By the waters of Babylon

- 42: Adan and Adapa

- 43: Ariadne's Thread

- PART X: Through the Laboratory Door

- 44: Science in a Time of Cholera

- 45: A Visit to the Museum

- 46: Experiments of Thought

- 47: The Unity of Nature

- 48: The Works of the Lord

- PART XI: Epilogue

Über Autor(innen)

Roger Wagner has been described by Charles Moore as the "best religious painter in Britain today". He gained first class honours in English Literature at Oxford, and then studied for three years at the Royal Academy before returning to live in Oxford and paint full time. Both The Ashmolean Museum at Oxford and The Fitzwilliam Museum at Cambridge have his work in their permanent collections. He has produced several books of illustrated poems and translations of the Psalms. Since 2010 he has taught at the Ruskin School of Art. A book about his work Forms of Transcendence The Art of Roger Wagner by Chris Miller was published in 2009. His 2012 Gresham College lecture was published on the web http://www.youtube.com/watch?v=uMb8rIQbTGc. His new stained glass window was installed in St Mary's Iffley in 2012. He was commissioned to paint the first portrait of Justin Welby as Archbishop of Canterbury, which in 2014 was hung in Auckland Castle.

Andrew Briggs was elected in 2002 as the first holder of the newly created Chair in Nanomaterials at the University of Oxford. After studying physics at Oxford he gained a PhD at the Cavendish Laboratory in Cambridge, where the inscription from the Psalms was placed over the entrance of the new laboratory at his initiative. He then studied for a degree in Theology at Cambridge, winning the Chase Prize for Greek, before returning to Oxford in 1980 to pursue an academic career in science. In what is now the Department of Materials he has been successively Royal Society Research Fellow, University Lecturer, Reader, and Professor. His scientific research focuses on materials and techniques for quantum technologies, in which non-classical superposition and entanglement are harnessed for future applications such as computers and information processors. Simultaneously his experiments also probe foundational questions such as the nature of reality in the context of quantum theory.