Force and Form in Modern Chinese Architecture

From Chinese Landscape Painting to Spatial Experience
Erscheinungsjahr 2026
ISBN: 978-981-9217-57-1
Verlag: Springer Verlag, Singapore

Buch, Englisch, 208 Seiten, Format (B × H): 155 mm x 235 mm

This book systematically explores how the Daoist principle of “ follows its own nature” is transformed into perceptible spatial forms in contemporary architecture through the aesthetics of Chinese landscape painting. It offers an in-depth analysis of traditional techniques such as the Three Distances, , and scattered perspective, revealing how visual imagery is converted into spatial experience.

Through the perspective of phenomenology and cross-cultural aesthetics, the book establishes a structural connection between art and architecture. Focusing on core cases of Wang Shu's Xiangshan Campus and Ningbo Museum, as well as I. M. Pei’s Suzhou Museum and Miho Museum, the book illustrates how oriental aesthetic is shown through architectural circulation, material texture, and the play of light and shadow.

Meanwhile, this book emphasizes on the importance of Chinese landscape painting in the context of globalization in the new century, revealing how it can achieve locality and universality simultaneously.

In specific, bilingual interpretation and illustration is used, concept explanation and visual charts are shown in both Chinese and English to help cross-cultural readers understand Eastern architectural aesthetics. Using sketches, photographs, and narrative accounts, it invites readers to “walk” between landscape painting and architectural space. Through the interdisciplinary integration of art history, architectural theory, phenomenology, and ecological philosophy, the book offers architects, landscape designers, urban planners, and scholars of art history and visual culture a fresh research framework.

Zielgruppe

Research

Autoren/Hrsg.

Wang, Yu

Fachgebiete

• Geisteswissenschaften Architektur Garten- und Landschaftsarchitektur
• Geisteswissenschaften Architektur Architekturtheorie
• Geisteswissenschaften Architektur Geschichte der Architektur, Baugeschichte
• Geisteswissenschaften Kunst Kunstgeschichte

Inhaltsverzeichnis

Chapter 1. Introduction.- Chapter 2. Daoist Views of Ziran (Nature).- Chapter 3. Form and Force Experience and Spatial Generation in Chinese Landscape Painting.- Chapter 4. The Realization of Form and Force in Chinese Landscape Painting Within Architectural Design.- Chapter 5. Conclusion.

Über Autor(innen)

Wang Yu  (??, Ph.D.) is a Chinese architect and researcher whose work explores the intersection of Chinese landscape painting aesthetics, Daoist philosophy of nature, and contemporary architectural design. He received his B.S. in Architecture from Dongyang University, Korea, an M.A. in Interior Architecture, and a Ph.D. in Architecture from Hongik University, Korea. He is currently a Postdoctoral Fellow at Tongji University, China.

Professionally, Dr. Wang has served as Assistant Architect at THAD Nanjing Jiangnan Institute and now works as Design Director at Beijing Huaju Architectural Design Co., Ltd. and Design Consultant for Jiangsu Provincial Architectural & Landscape Design Institute. Since 2020, he has also been a strategic partner of the Hongik University Architectural Design Office.

His awards include the Korea Young Architects Gold Prize (2017), the Creativity Award in Anhui Yuantan Design Competition (2019), and the Excellence Award in Hefei Industrial Renewal Competition (2020). He became a lifetime member of the Architectural Institute of Korea in 2023.  His research interests include landscape architecture, form and force in architecture and Shanshui city.