Staging Personhood

Costuming in Early Qing Drama
Erscheinungsjahr 2020
ISBN: 978-0-231-19190-6
Verlag: Columbia University Press

Buch, Englisch, 312 Seiten, Print PDF, Format (B × H): 236 mm x 163 mm, Gewicht: 582 g

After toppling the Ming dynasty, the Qing conquerors forced Han Chinese males to adopt Manchu hairstyle and clothing. Yet China’s new rulers permitted the use of traditional Chinese attire in performances, making theater one of the only areas of life where Han garments could still be seen and where Manchu rule could be contested.

Staging Personhood uncovers a hidden history of the Ming-Qing transition by exploring what it meant for the clothing of a deposed dynasty to survive onstage. Reading dramatic texts and performances against Qing sartorial regulations, Guojun Wang offers an interdisciplinary lens on the entanglements between Chinese drama and nascent Manchu rule in seventeenth-century China. He reveals not just how political and ethnic conflicts shaped theatrical costuming but also the ways in which costuming enabled different modes of identity negotiation during the dynastic transition. In case studies of theatrical texts, performances, and practices, Wang considers clothing and costumes as indices of changing ethnic and gender identities. He contends that theatrical costuming provided a productive way to reconnect bodies, clothes, and identities disrupted by political turmoil. Through careful attention to a variety of canonical and lesser-known plays, visual and performance records, and historical documents, Staging Personhood provides a pathbreaking perspective on the cultural dynamics of early Qing China.

Autoren/Hrsg.

Wang, Guojun

Fachgebiete

• Geisteswissenschaften Literaturwissenschaft Literaturwissenschaft: Dramen und Dramatiker
• Geisteswissenschaften Design Modedesign, Stoffe, Schmuckdesign
• Geisteswissenschaften Literaturwissenschaft Literaturen sonstiger Sprachräume Ost- & Südostasiatische Literatur
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Theaterwissenschaft Theatergeschichte

Inhaltsverzeichnis

Acknowledgments
Introduction: Costuming as Method
1. Ways to Dress and Ways to See
2. Across Genders and Ethnicities
3. Between Family and State
4. The Chaste Lady Immortal of Seamless Stitching
5. From State Attire to Stage Prop
Epilogue: Dressing Other and Self
Appendix 1: Extant Editions of A Ten-Thousand-Li Reunion
Appendix 2: Scene Synopsis of A Ten-Thousand-Li Reunion
Notes
Works Cited
Index

Über Autor(innen)

Wang, Guojun
Guojun Wang (Ph.D Yale, 2015) is assistant professor of Asian Studies at Vanderbilt University. His published articles include: “Reading Li Wa in Allusions: The Masculine Heroine in the Tang Tale “Li Wa zhuan” (in Chinse) Journal of Lanzhou Institute of Education, no. 4, 2008; and (forthcoming):A Wedding Trap, a 17th-century Chinese Drama” (in Chinese) Compendium of Kun Opera.

Guojun Wang is assistant professor of Asian studies at Vanderbilt University.