Mary Gladstone and the Victorian Salon

Music, Literature, Liberalism
Erscheinungsjahr 2017
ISBN: 978-1-107-18480-0
Verlag: Cambridge University Press

Buch, Englisch, 272 Seiten, Format (B × H): 189 mm x 260 mm, Gewicht: 748 g

Reihe: New Perspectives in Music History and Criticism

The daughter of one of Britain's longest-serving Prime Ministers, Mary Gladstone was a notable musician, hostess of one of the most influential political salons in late-Victorian London, and probably the first female prime ministerial private secretary in Britain. Pivoting around Mary's initiatives, this intellectual history draws on a trove of unpublished archival material that reveals for the first time the role of music in Victorian liberalism, explores its intersections with literature, recovers what the high Victorian salon was within a wider cultural history, and shows Mary's influence on her father's work. Paying close attention to literary and biographical details, the book also sheds new light on Tennyson's poetry, George Eliot's fiction, the founding of the Royal College of Music, the Gladstone family, and a broad plane of wider British culture, including political liberalism and women, sociability, social theology, and aesthetic democracy.

Autoren/Hrsg.

Weliver, Phyllis

Fachgebiete

• Geisteswissenschaften Musikwissenschaft Geschichte der Musik Geschichte der Musik: Klassik (ca. 1750-1830)

Inhaltsverzeichnis

Part I. Intellectual History: 1. Idealist philosophy, culture and the Gladstones; 2. The passion of liberalism; 3. The Victorian salon; 4. Music and the Gladstone salon; Part II. Musical and Literary Case Studies: 5. Mary Gladstone's diary and the Royal College of Music; 6. '. there ought to be some melody in poetry': Tennyson's salon readings; 7. '. musical, I see!': triangulated criticism and Daniel Deronda; 8. Conclusion.

Über Autor(innen)

Weliver, Phyllis
Phyllis Weliver is Professor in the Department of English at Saint Louis University, Missouri. Her previous publications include Women Musicians in Victorian Fiction, 1860-1900 (2000) and The Musical Crowd in English Fiction, 1840-1910 (2006).