Buch, Englisch, 192 Seiten, Format (B × H): 201 mm x 279 mm, Gewicht: 544 g
Reihe: Orpheus Institute
Buch, Englisch, 192 Seiten, Format (B × H): 201 mm x 279 mm, Gewicht: 544 g
Reihe: Orpheus Institute
ISBN: 978-94-6270-140-3
Verlag: LEUVEN UNIV PR
musical works: new perspectives on music ontology and performance
What are musical works? How
are they constructed in our minds? Which material things allow us to speak
about them in the first place? Does a specific way of conceiving musical works
limit their performative potentials? Which alternative, more productive images
of musical work can be devised?
Virtual Works – Actual Things addresses contemporary music ontological
discourses, challenging dominant musicological accounts, questioning their
authoritative foundation and moving towards dynamic perspectives devised by
music practitioners and artist researchers. Specific attention is given to the
relationship between the virtual multiplicities that enable the construction of
an image of a musical work and the actual, concrete materials that make such a
construction possible. With contributions by prominent scholars, this book is a
wide-ranging and fascinating collection of essays, which will be of great
interest for artistic research, contemporary musicology, music philosophy,
performance studies and music pedagogy alike.
Ebook available in Open Access.
This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).
Contributors: David Davies (McGill University, Montreal), Andreas
Dorschel (University of the Arts Graz), Lydia Goehr (Columbia University, New
York), Kathy Kiloh (OCAD University, Toronto), Jake McNulty (Columbia
University, New York), Gunnar Hindrichs (University of Basel), John Rink (University
of Cambridge)
Autoren/Hrsg.
Fachgebiete
Weitere Infos & Material
IntroductionPaulo de Assis
Virtual Works—Actual ThingsPaulo de Assis
Locating the Performable Musical Work in Practice: A Non-Platonist Interpretation of the “Classical Paradigm”David Davies
Towards a General Theory of Musical Works and Musical ListeningGunnar Hindrichs
The Work of the PerformerJohn Rink
Music as Play: A DialogueAndreas Dorschel
What Anyway Is a “Music Discomposed”? Reading Cavell through the Dark Glasses of AdornoLydia Goehr
Three Responses to Lydia Goehr’s Essay “What Anyway Is a ‘Music Discomposed’?”Lydia GoehrResponse 1What Is a Music Dis-discomposed?Kathy KilohResponse 2Krenek, Cage, and Stockhausen in Cavell’s “Music Discomposed”Jake McNultyResponse 3Stanley Cavell’s “Music Discomposed” at 52Paulo de Assis
AppendixThe International Orpheus Academy for Music and Theory 2016: Concerts and Installations
Notes on Contributors
Index
