Buch, Englisch, 270 Seiten, Format (B × H): 210 mm x 280 mm
Bridging Cultures, Embracing Technologies
Buch, Englisch, 270 Seiten, Format (B × H): 210 mm x 280 mm
Reihe: Taylor & Francis Proceedings in Social Sciences
ISBN: 978-1-041-40812-3
Verlag: Taylor & Francis Ltd
The book critically examines how visual culture, journalism, digital platforms, advertising, and storytelling shape public perception, social identities, political awareness, and cultural experiences across local and global contexts.
The book presents a diverse collection of scholarly studies that analyse contemporary issues in media and communication through critical, cultural, and technological perspectives. It includes discussions on cinematic representation, identity politics, visual symbolism, gender sensitivity, disability discourse, minority visibility, and digital culture. It investigates the role of films, advertisements, and news media in constructing social meanings and influencing audience behaviour, while others examine technological dependency, digital inequality, machine learning applications in journalism, and inclusive design practices in UI/UX. The volume also explores regional and global cultural narratives through studies on anime fandom, environmental justice movements, festival marketing, and diaspora representation. Combining theoretical frameworks with case-study-based analysis, the book demonstrates how media and communication practices continue to evolve alongside technological advancement, social transformation, and shifting cultural identities in the contemporary world.
This book is intended for researchers, academicians, postgraduate students, media professionals, and scholars in communication, journalism, film studies, cultural studies, advertising, literature, and digital media studies. It is especially valuable for readers interested in interdisciplinary approaches to media, identity, technology, and contemporary socio-cultural transformations.
Zielgruppe
Academic and General
Autoren/Hrsg.
Fachgebiete
- Sozialwissenschaften Ethnologie | Volkskunde Volkskunde
- Sozialwissenschaften Soziologie | Soziale Arbeit Soziologie Allgemein
- Sozialwissenschaften Medien- und Kommunikationswissenschaften Medienwissenschaften
- Geisteswissenschaften Geschichtswissenschaft Geschichtliche Themen Mentalitäts- und Sozialgeschichte
- Sozialwissenschaften Soziologie | Soziale Arbeit Spezielle Soziologie Mediensoziologie
- Geisteswissenschaften Design Grafikdesign, Kommunikationsdesign
Weitere Infos & Material
Section 1: Media, Gender, Identity and Inclusion 1. Gender Representation in Indian Household Advertising: A Content Analysis of Cleaning and Washing Product Commercials (2014–2024) 2. Reimagining Digital Access: The Role of Feminist Technology in Bridging India’s Gendered Digital Divide 3. Invisible Women and Gender Exclusion in Indian Financial Advertisements 4. Exploring the Gender Inclusive Communication through Tweets during India’s General Elections, 2024 5. Dating Apps for LGBTQ+ and Emotional Well-being of the Community: A Systematic Literature Review (2020–2025) 6. Media’s Impact on Gender Sensitivity and Transgender Inclusion 7. Disability, Identity and Power in Mysskin’s Psycho (2020): A Crip Theory Perspective 8. Whose Stories Get Told: Intersectionality and Marginalised Voices in Indian Newsrooms 9. Global Media and Identity Reconstruction on North Korean Defectors Section 2: Film, Literature and Visual Culture 10. Understanding the Provocative Barbarism of Films: An Era of Digital Instigation 11. Sensationalised or Sanitised: A Bipolar interpretation of Jeo Baby's Kathal - The Core 12. Cinematic Construction of Psychopathic Identity: Symbolism and Subtext in Girl in the Basement 13. The Grand First Look: A Critical Examination of Film Director Pa. Ranjith’s Movie Posters 14. Technological Fragility and Human Vulnerability in Don DeLillo’s The Silence 15. Visualising the Performative Self: A Study of Identity Construction and Social Psychological Dynamics in The Perks of Being a Wallflower 16. Money and Mafia in Aravind Adiga’s Last Man in Tower 17. Picturing the Performative Instances of Ramnagar’s Ramlila in Varanasi: A Visual Narrative Analysis of Public Art Section 3: Advertising, Branding and Consumer Culture 18. Natural Deception through Gestalt Principles and Visual Illusions in Jeep's ‘Jeep by Nature’ Advertisement Campaign 19. Destination Branding through Tourism Advertisement – A Content Analysis of Kerala Tourism’s ‘Your Moment is Waiting’ Ad 20. Exploring Cultural Semiotics in Festival Marketing Strategies in Tata Motors’ Onam 2023 Campaign Section 4: Digital Media, Technology and Communication 21. Cybersecurity in the Digital Era: Public Awareness and Legal Challenges from a Chennai Perspective 22. Once Upon a Time…. Reimagined: Digital Storytelling for the 21st Century 23. Designing for Diversity: Best Practices in Global UI/UX for Inclusive and Culturally Adaptive Digital Products 24. Classification of Emotions in News Headlines: A Comparative Study of Logistic Regression and SVM 25. Impact of Government Policies on Reducing the Digital Divide Between Rural and Urban Areas - Study in Uttarakhand State 26. Affective Flows in Global Media: A Bergsonian-Deleuzian Exploration of Digital Design and Cultural Resonance 27. Bridging the Industry-Academia Gap: A Need-Gap Analysis of the Journalism Curricula Taught in Distance Learning Mode in India Section 5: Culture, Society, Media Effects and Popular Culture 28. Myth as a Social Function: A Study on Socio-Cultural Implications Associated with Tulu Nadu Daivas 29. The Hallyu Wave in India: Exploring Cultural Exchange and Identity through OTT Platforms 30. From Marginality to Visibility: Analysing the Role of English Dailies to Represent the Identity of the Dwindling Indian Chinese Community in Kolkata 31. The Influence of Cartoon Shows in Shaping Children Behaviour: A Case Study on Bangalore City 32. A Study on the Influence of Japanese Anime on Anime Fans in Bangalore City 33. Holding Life in Resistance: Visualising Environmental Justice in the Vilappilsala Movement




