Buch, Englisch, 242 Seiten, Format (B × H): 156 mm x 236 mm, Gewicht: 555 g
Techne/Technique/Technology
Buch, Englisch, 242 Seiten, Format (B × H): 156 mm x 236 mm, Gewicht: 555 g
Reihe: Routledge Advances in Art and Visual Studies
ISBN: 978-1-138-93411-5
Verlag: Taylor & Francis Ltd
Autoren/Hrsg.
Fachgebiete
- Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Tanz Andere Darstellende Künste
- Sozialwissenschaften Medien- und Kommunikationswissenschaften Medienwissenschaften
- Sozialwissenschaften Soziologie | Soziale Arbeit Spezielle Soziologie Mediensoziologie
- Geisteswissenschaften Kunst Kunstformen, Kunsthandwerk Installations-, Aktions-, Computer- und Videokunst
Weitere Infos & Material
Foreword
Ruth Catlow and Marc Garrett
Introduction
Camille Baker and Kate Sicchio
Theme 1: Artistic process/challenges
1. Intuition and Creative Process Methodologies in Digital Performance
Camille Baker
2. 60ma: experimenting with performing with electrodes/ experiences in digital art practice
Georg Hobmeier
3. The Bleeding Self in Digital Performance Practice: artistic challenges in digital media practice
Lorna Moore
4. Making Speculative Technologies
Kristina Anderson
5. Construction of processes to live audiovisual performance
Ana Carvalho
6. NO PLACE: Presence, Performance and Virtuality
Kate Genevieve
7. Imagination, Art and Reality
Ben Bogart
Theme 2: Collaborations
8. Cultivating permaCultural resilience (pCr): The permaCultural dérive as an Itinerant’s approach to a techne of becoming
Anita McKoewn
9. The Immanent Researcher
Kate Sicchio
10. Temporal Scaffolding: A collaborative and networked infrastructure of techne, screendance, AR, affect, place and smart mobile devices in the project AffeXity
Jeannette Ginslov
11. Neurocinematics: the first hand experience of a filmmaker in collaboration with neuroscientists
Pia Tikka
12. Shifting Our Horizons: Exploring Mobility In Micro Production & Floating Exhibition
Max Schleser and Antony Nevin
Theme 3: Shared Knowledge:
13. Sharing Knowledge through Networked Collaboration
Helen Varley Jamieson
14. Methodologies of Risk and Experimental Prototyping
Nancy Mauro-Flude
15. Behind the Idea and meta models for creativity
Alison Williams
16. Mass Collaboration through Software and why we need a ‘Keeper’ Movement
Alex May
17. Generative Approaches for Meaning Making in Art
Aleksandra Dulic and Kenneth Newby