Musicians Coding AI for Themselves

1. Auflage 2026
ISBN: 978-1-041-01666-3
Verlag: Taylor & Francis Ltd

Buch, Englisch, 438 Seiten, Format (B × H): 156 mm x 234 mm

Musicians Coding AI for Themselves blends cutting edge academic research with the real-world experiences of musicians working the intersection of music and AI. This book not only reflects on the philosophical implications of AI in music but also offers readers insights into the technical inner workings of bespoke, artist-crafted AI systems.

The chapters are written by emerging and innovative coder-musicians who present their own artistic practice and research, with a focus on creative, ethical, collaborative, and educational uses of AI. Interviews with leading musicians who have incorporated AI into their work traverse diverse topics, from behind-the-scenes details of how each artist uses AI in their music to the greater conceptual impact of AI on the arts, the future of music technology, and the creative process.

This book will be of interest to practicing musicians who wish to harness the creative potential of AI in their music and understand its implications for the industry on a wider scale. It will also be of interest to students of music composition, music studies, experimental music, music technology and human-computer interaction.

Zielgruppe

Postgraduate, Professional Practice & Development, and Undergraduate Advanced

Autoren/Hrsg.

Basica, Constantin

Zhu, Julie

Fachgebiete

• Geisteswissenschaften Musikwissenschaft Musikwissenschaft Allgemein Musiktheorie, Musikästhetik, Kompositionslehre
• Mathematik | Informatik EDV | Informatik Professionelle Anwendung Digitale Musik

Inhaltsverzeichnis

1. Prelude Personal and Peculiar 2. Movement I Machine Learning at the Artist Scale 3. Interlude I Interview with Laetitia Sonami 4. Movement II Notochord: Designing and Experiencing a Low Latency MIDI Language Model 5. Interlude II Interview with George Lewis 6. Movement III Machine Grain of Musical AI Voices: Coding Extra-Normal Values in Live Performance with AI Models 7. Interlude III Interview with Jennifer Walshe 8. Movement IV The Last Piece: Training AI on a Composer’s Brainwaves 9. Interlude IV Interview with Nao Tokui 10. Intermission Ethics, Authorship, and Creativity in the Age of ChatGPT 11. Interlude V Interview with Ge Wang 12. Movement V Deep Drawing 13. Interlude VI Interview with Pierre Alexandre Tremblay 14. Movement VI The Neural Tape Loop 15. Interlude VII Interview with Holly Herndon 16. Movement VII Pandora’s Dream: Building a Software Framework for AI-Mediated Live Music Practice 17. Interlude VIII Interview with CJ Carr 18. Movement VIII The Sweet Spot: Human–AI Alignment with Randomness, Complexity, and Machine Learning 19. Postlude Shifts in Creative Practice with Intelligent Machines 20. Encore A Collection of Claims on AI Arts Practice

Über Autor(innen)

Constantin Basica, DMA, is a Romanian composer whose work focuses on symbiotic interrelations between music, video, and performers. His music has been presented internationally by distinguished artists at events such as MATA Festival, Ars Electronica Festival (Bucharest Garden), World New Music Days, George Enescu Festival, and the International Computer Music Conference. He earned his doctorate in composition and completed postdoctoral training at Stanford University. In recent years, he has collaborated with researchers on developing AI tools for co-creativity that explore “translations” between media. Basica is a lecturer in music at Stanford’s Center for Computer Research in Music and Acoustics (CCRMA).

Julie Zhu, DMA, is a composer, artist, and carillonist. Her work stands interstitial to instrumental music, electronics, and performance within settings ranging from chamber music stagings to museum sound installations to experimental film scores. Concision and poetry characterize her music, with commissions from Radio France, Dark Music Days Reykjavík, GMEM Marseille, GRAME Lyon, and Chamber Music America. Her research on music and AI focuses on the project Deep Drawing, which tests a machine’s ability to bring the intricate noises of drawing and writing to visual life. Zhu is an assistant professor of performing arts technology at the University of Michigan.