Buch, Englisch, 300 Seiten, Format (B × H): 233 mm x 154 mm, Gewicht: 460 g
Reihe: SOAS Studies in Music
Palestine, Israel and the Politics of Aesthetic Production
Buch, Englisch, 300 Seiten, Format (B × H): 233 mm x 154 mm, Gewicht: 460 g
Reihe: SOAS Studies in Music
ISBN: 978-0-367-56327-1
Verlag: Taylor & Francis Ltd
The ethnography is based on fieldwork conducted in Israel and the West Bank in 2011–2012 and other excursions since then. Author has "followed the conflict" by "following the music," from concert halls to demonstrations, mixed-city community centers to Palestinian refugee camp children’s clubs, alternative urban scenes and even a checkpoint. In all the different contexts presented, the monograph is thematically and theoretically underpinned by the ways in which music is used to culturally assert or reterritorialize both spatial and social boundaries in a situation of conflict.
Zielgruppe
Postgraduate
Autoren/Hrsg.
Fachgebiete
Weitere Infos & Material
Introduction 1. The everyday practice and performance of nation making and resistance in Palestine: Al Kamandjâti music conservatory 2. Coexistence, multiculturalism and pluralistic citizenship in Israel: the Jaffa Arab-Jewish Community Center (AJCC) 3. Music and the politics of spatiality and temporality in Palestine: checkpoints, occupation bureaucracy, subjectivity 4. On music, politics and social justice: Israel’s J14 social protest movement and its imaginings of “home” 5. Strangers in their homeland: on the lives and musics of Palestinian citizens of Israel Epilogue