Aesthetics of Improvisation

Translated from Italian by Robert T. Valgenti
2022
ISBN: 978-3-7705-6707-2
Verlag: Wilhelm Fink Verlag

Buch, Englisch, Band 2, 165 Seiten, Format (B × H): 155 mm x 235 mm, Gewicht: 445 g

Reihe: Contemporary Perspectives in European Philosophy / Zeitgenössische Perspektiven europäischer Philosophie

This essay develops a theory of improvisation as practice of aesthetic sense-making. While considering all arts, references are made to many concrete cases. A topic in vogue since the XX. century, as evidenced by the great philosophers who were interested in it (Ryle, Derrida, Eco among others), improvisation, a felicitous mixture of habit and creativity, norm and freedom, is constitutive of human action. Human practices – including very well-regulated activities such as playing chess, piloting airplanes, or medicine – permit and often require it to varying degrees.
Improvisation is also the true source of artistic experience. Consequently, the aesthetics of improvisation result in a philosophy of art: Art was born as improvisation. Yet improvisation has its own aesthetic dimension: that of a "grammar of contingency" in which notions such as emergence, presence, curiosity and authenticity explain the pleasures of joyful adventure and empathic involvement elicited by improvisation.

Autoren/Hrsg.

Bertinetto, Alessandro

Fachgebiete

• Geisteswissenschaften Philosophie Ästhetik

Über Autor(innen)

Alessandro Bertinetto is a professor of philosophy at the University of Turin (Italy). He was an Alexander von Humboldt Fellow at the FU Berlin and a member of the Executive Committee of the European Society for Aesthetics (2012–2018). Currently, he is the Coordinator of the philosophical seminar "Aesthetics Research Torino".