Bosma Film Programming

Curating for Cinemas, Festivals, Archives
1. Auflage 2015
ISBN: 978-0-231-85082-7
Verlag: De Gruyter
Format: EPUB
Kopierschutz: 6 - ePub Watermark

E-Book, Englisch, 144 Seiten, Format (B × H): 127 mm x 178 mm

Reihe: Short Cuts

This study explores artistic choices in cinema exhibition, focusing on film theaters, film festivals, and film archives and situating film-curating issues within an international context. Artistic and commercial film availability has increased overwhelmingly as a result of the digitization of the infrastructure of distribution and exhibition. The film trade's conventional structures are transforming and, in the digital age, supply and demand can meet without the intervention of traditional gatekeepers—everybody can be a film curator, in a passive or active way. This volume addresses three kinds of readers: those who want to become film curators, those who want to research the film-curating phenomenon, and those critical cinema visitors who seek to investigate the story behind the selection process of available films and the way to present them.

Autoren/Hrsg.

Bosma, Peter

Fachgebiete

• Interdisziplinäres Wissenschaften Wissenschaft und Gesellschaft | Kulturwissenschaften Museumskunde, Materielle Kultur, Erinnerungskultur
• Geisteswissenschaften Kunst Kunst, allgemein Kunstsammlung, Museen, Ausstellungen
• Geisteswissenschaften Kunst Kunstformen, Kunsthandwerk Installations-, Aktions-, Computer- und Videokunst

Inhaltsverzeichnis

Acknowledgements
Introduction
1. Reflection
2. Cinephilia as a Curatorial Element
3. The Network of Intermediaries
4. Curating Film Theatres
5. Curating Film Festivals
6. Curating Film Archives
7. Case Studies
8. Conclusion: Final Words
Bibliography
Index

Über Autor(innen)

Peter Bosma is an independent programmer, researcher, and lecturer in film studies based in the Netherlands.