Branigan Tracking Cinema’s Color

Philosophy and Aesthetics
Erscheinungsjahr 2017
ISBN: 978-1-315-31749-6
Verlag: Taylor & Francis
Format: PDF
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)

E-Book, Englisch, 376 Seiten

In this book Edward Branigan investigates color, surveying a wide range of issues concerning the aesthetics of color displays in film and painting, with an additional close analysis of how color words generate mental images in poetry. Drawing from Wittgenstein’s final and unfinished manuscript, Remarks on Colour, as well as contemporary theories in cognitive science, memory, and language, Branigan offers a roadmap for acquiring the concepts necessary for analyzing color, for rethinking the role of sensation in art generally, and for grappling with problems that arise when thinking about color philosophically.

Autoren/Hrsg.

Branigan, Edward

Fachgebiete

• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmgeschichte
• Geisteswissenschaften Kunst Kunst, allgemein Kunsttechniken & Prinzipien

Inhaltsverzeichnis

Preface

1. Introduction and Overview

2. Living with Chromophilia

3. Stand or Track?

4. What's in White?

5. Making it Color-Full

6. Musical Hues: Color Harmony

7. Track this Color (in Place)

8. Track that Color (in Movement)

9. Summary

10. Conclusion

Über Autor(innen)

Edward Branigan is Professor Emeritus in the Department of Film and Media Studies at the University of California, Santa Barbara. He is the author of Projecting a Camera: Language-Games in Film Theory; Narrative Comprehension and Film; and Point of View in the Cinema: A Theory of Narration and Subjectivity in Classical Film. With Warren Buckland, he is the editor of The Routledge Encyclopedia of Film Theory. With Charles Wolfe, he is the general editor of the American Film Institute Film Readers series.