Digital Practices

Aesthetic and Neuroesthetic Approaches to Performance and Technology
2007. Auflage 2007
ISBN: 978-1-349-36289-9
Verlag: Palgrave MacMillan UK

Buch, Englisch, 220 Seiten, Format (B × H): 140 mm x 216 mm, Gewicht: 303 g

This title offers insight into a range of art and performance practices that have emerged as a result a more technological world. These practices are integral to alternative and mainstream performance culture and the author explores their aesthetic theorisation and analyses other approaches, including those offered by research into neuroesthetics.

Autoren/Hrsg.

Broadhurst, S.

Inhaltsverzeichnis

List of Illustrations Acknowledgements The Digital: A Preliminary View Selective Aesthetic Approaches Neuroesthetics Live Performance and the Digital Digital Sound, New Media and Interactive Practices Digital Film Bioart Conclusion: Digital Practices Bibliography Index

Über Autor(innen)

SUSAN BROADHURST Writer and practitioner in the creative arts. She is Professor of Performance and Technology within the School of Arts at Brunel University, West London. She is the author of Liminal Acts: A Critical Overview of Contemporary Performance and Theory (1999) and Digital Practices: Aesthetic and Neuroesthetic Approaches to Performance and Technology (2007), co-editor of Performance and Technology: Practices of Virtual Embodiment and Interactivity (2006), Sensualities/Textualities & Technologies: Writings of the Body in 21st Century Performance (Palgrave MacMilllan, 2009) and of the online journal Body, Space and Technology. Susan is currently working on a series of collaborative practice-based research projects entitled, which involve introducing various interactive digital technologies into live performance.