Brown Electric Ancient Egyptians

Penetrating the Atom With Electrified Sperm
1. Auflage 2015
ISBN: 978-1-68222-800-5
Verlag: BookBaby
Format: EPUB
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)

E-Book, Englisch, 164 Seiten

The first of three volumes that are a radical re-visioning of ancient Egyptian art and symbolism. James E Brow . He is a practical thinker and at each step along the way of the journey of research that led to the Electric Ancient Egyptians he insisted that the evidence he uncovered had to make sense. His interest in Egypt began in 1978 and he has traveled there photographing and documenting physical evidence to support his ground-breaking hypotheses.

Autoren/Hrsg.

Brown, James

Leseproben

CHAPTER 1

I believe our eyes reveal the truth of what we see. What we see is the same no matter what language we speak, no matter how old or how young we are, and no matter what time in history we were born. What we see are shapes of things that are recognizable, and though we may have different names for the shapes, the shapes themselves do not change. I believe they are showing us that the eyes are the way to understand what we see, and that we must work with the shape of things. I think the Eye of Horus, widely seen throughout ancient and modern Egypt, is the key to unlocking the ancient picture language. The colorful drawings and carved reliefs are instructions how to accomplish something.

I understand that our subconscious only sees things as symbols or pictures in our mind. What you will be seeing in the pages that follow is what I believe the pictures and drawings are telling us. I have studied ancient hieroglyphics, and there is a lot of controversy about what they actually mean. The trick to understanding Egyptian picture writing is to know what the various shapes and images mean. I believe we are being shown the combinations of energy fields. Under the right circumstances, with the right elements, and at the right time, atomic structure can be manipulated. These prescribed rituals that control subatomic particles have been misunderstood, in that the male human body was the source of the magic ingredient, electrified sperm. Statues, drawings, and carved reliefs, larger than life size, with gods standing with erect penises, were carved in temples and columns throughout ancient Egypt.

At the time period in ancient Egypt when I believe these procedures were practiced, it was common knowledge that the pharaohs had special gifts and powers. The naked body was frequently depicted and there was no shame or embarrassment. The pharaohs were kings and the earthy representation of the god Horus. The male erection was seen as the ultimate source of power. It was a visible part of the male body, giving evidence that the pharaoh was about to ejaculate the precious life-giving and fertilizing sperm. When his sperm was enhanced with additional electrical charges, the pharaoh became all-powerful because he could create a transforming substance and manipulate atomic structure.

However, I do not think all interpretations of ancient Egyptian texts or hieroglyphics are incorrect. Sometimes the explanations do not make common sense, however in the very elaborate way they are explained, there is a small piece of truth. For example, the Egyptian Ankh, commonly known as the “sign of life,” I believe is a symbol of male sperm. Life and sperm can be used in the same sentence. When you explore the interpretations of modern scholars, they don’t make sense; the words don’t go together and seem out of context.

The hieroglyph for the Egyptian Ankh is composed of three signs. The first represents a “sandal knot” and contains three consonants. The second sign depicts a fluid and the phonetic sound of “n.” The third sign is a “striped circle,” originally designating a placenta. There is a liquid and a placenta, part of the reproductive system, and from that came the interpretation of the ankh, “sign of life.” The individual components of the interpretation could be understood as sperm.

No # 1 We use photographs to record all kinds of events and objects—weddings, funerals and every day activities. The photos give us the ability to see the exact same event repeatedly without forgetting details. I believe the picture writing of the ancient Egyptians is like our photography.

No # 2 There are seven different explanations for the Eye Of Horus, which indicates that no one has determined what it actually means. It has been translated to mean many things. I believe the symbol of the Eye Of Horus is as simple as it appears. Start here, we all have a pair of eyes.

No # 3 A picture speaks a thousand words. Our eyes work the same for the ancient Egyptian picture writing and our photography. Details are recorded and become a permanent record of our past. They can then be studied and referred to at all times.

No# 4 demonstrates how pictures speak thousands of words and transcend languages. I was involved in a project that required assembly of a recessed wall cabinet. When I opened the flat box containing the cabinet parts I looked for the assembly instructions. There was only one pamphlet with no written words, only illustrations. This particular cabinet company distributes to thirty-seven different countries, and the same assembly instructions are used in all thirtyseven countries. No language barriers, no confusion, and lots of money saved in printing costs. Normally, large companies print assembly instructions in the language where they sell their products, but companies are starting to use pictures and drawings to explain how to assemble their products. Pictures are a better idea when instructions need to be universal and are not limited to a single language or culture.

In the first frame of No# 4 we see the assembly begin with a large cabinet. We see the direction of how to raise the cabinet by the direction of the black arrow. We also see it takes two people to do this task. In the first four frames of No# 4 the drawing shows two people with a step ladder assembling the large cabinet piece by piece. In the last frame it only takes one person to put the door on. This assembly project is completed.

In No# 5 we see a drawing of a base cabinet with an open drawer. The assembly instructions show more detail by creating a picture of the detail within the original drawing. The enlarged detail shows how the metal track that holds the drawer in place works. If you were trying to explain that detail in thirty-seven different written languages, the task would be nearly impossible.

No #6 shows how to insert the drawer in the proper way, and the proper position to hold the drawer, when placing it in the cabinet. The black arrow shows the direction to push the drawer.

No # 7 is a different kind of drawing that conveys its message loud and clear. The first part of the drawing shows a person with a frown on his face and a hammer in his hand looking down to a pile of boards at his feet. The message is this project takes two people to accomplish. No words are written, it’s just a simple drawing. The next drawing shows two people—one still has a hammer in his hand with the same pile of wood at his feet, but they are smiling—he got the help he needed.

We as a society use pictures and images to convey the presence of animals or different objects. We use single-image signs that are so embedded in our subconscious that we automatically react when we see these one-image signs. If we are driving a car, we slow down and become more observant. Think about it. The whole world uses symbols, or single-image signs. It’s taken fifty or sixty years to accomplish this, but it works. The images transcend languages.

No# 8 We are all familiar with migrating animals such as deer or elk. This sign warns of dangerous conditions ahead. Different signs with different colors can have different meanings.

No# 9 An airplane with a red triangle indicates a nearby airport and a need to have to have caution.

No# 10 In farm areas cattle are slow moving and can cause a hazard on county roads The sign shows that cattle are in the neighborhood.

Signs like No# 11 save thousands of lives every year at crosswalks. This is a universal image known in every civilized country. Just think how dangerous it would be if every country tried using language to control traffic. The image on the sign is a better way.

No# 12 Slippery or curved road sign warns of the danger of losing control of the vehicle.

No# 13 Alerts us to clear danger by showing a person being chased by a large bear. A sign that said “beware of bears” might not be interpreted properly and would be harder to read while driving.

We accept these signs in our everyday thinking. What if we looked at the ancient Egyptian images with the idea that we are looking for a message represented by a picture? This approach requires thinking outside of a modern paradigm. Most images and hieroglyphic translations are interpreted as the pharaoh’s activities in the afterlife—after he has died. Most translations are obsessed with the afterlife interpretation. I believe they are explaining the everyday lifestyles of living persons in Egypt. Their statues, reliefs, pictures, and drawings have a meaningful purpose. To show us the shape of energy fields, to illustrate procedures, and to accomplish scientific goals. Many illustrations, statues, drawings, and reliefs are contained in the pages that follow. Most of the great, ancient Egyptian tomb drawings have been preserved because they were buried underground in an arid and dry area known as Valley Of The Kings near Luxor, Egypt from 1600 to 1100 BCE. Sixty-three tombs have been discovered so far, ranging from a simple pit to a complex tomb with 120 chambers.

The detailed drawings in the tombs are original, in pristine condition, and have good color. Entire tombs where pharaohs...