Buch, Englisch, 304 Seiten, Format (B × H): 152 mm x 226 mm, Gewicht: 295 g
Transnational Platforms in Beirut
Buch, Englisch, 304 Seiten, Format (B × H): 152 mm x 226 mm, Gewicht: 295 g
Reihe: Routledge Studies in Ethnomusicology
ISBN: 978-1-138-84971-6
Verlag: Taylor & Francis Ltd (Sales)
Autoren/Hrsg.
Fachgebiete
- Geisteswissenschaften Musikwissenschaft Musikwissenschaft Allgemein Musikpsychologie, Musiksoziologie
- Sozialwissenschaften Soziologie | Soziale Arbeit Spezielle Soziologie Globalisierung, Transformationsprozesse
- Sozialwissenschaften Soziologie | Soziale Arbeit Spezielle Soziologie Kultursoziologie
- Geisteswissenschaften Musikwissenschaft Musikwissenschaft Allgemein Musikethnologie
Weitere Infos & Material
Introduction PART I: Theory and Methodology – Music Making in a Digitalized World 1. Globalization and Digitalization in Music 2. Theoretical Frame 3. Methodological Approach PART II: Ethnography – Musicians from Beirut Born During the Lebanese Civil War 4. Experimental Music 5. Metal Music and Classic Rock 6. Urban Music 7. Rap 8. Transnational Networks (Human Hubs) 9. Music as a Media Product 10. Musicians as Actors PART III: Analysis – Six Key Tracks from Beirut 11. Zeid Hamdan: "Aranis" (Remixed) 12. Garo Gdanian: "Remains of a Bloodbath" 13. Mazen Kerbaj: "Blblb Flblb," "ZRRRT," "PIIIIIIIIIIII" 14. Raed Yassin: "Civil War Tapes" 15. Charbel Haber: "Track 5" 16. Rayess Bek: "Schizophrenia" PART IV: History – Sonic Traces from the Past and Present 17. Ground Setting: The Urbanization and Europeanization of Music in the Arab World 18. Modern Music from Cairo – Old Music from Aleppo 19. European Music and Christian Hymns in Beirut (1926 – 1948) 20. The Creation of a "Lebanese Music" (1948 – 1967) 21. Nasserism versus Tourism (1952 – 1967) 22. The Rise of Dissident Culture and Alternative Music (1968 – 1975) 23. Bombs, Protest, Propaganda and Rock Music from the Lebanese Civil War (1975 – 1990) 24. Pan-Arabic Pop and the 2006 War PART V: Meaning – Reading Lebanese Music Making from Different Perspectives 25. Historical Perspectives 26. Socio-Political Perspectives 27. Geo-Political Perspectives 28. Psychological Perspectives 29. Aesthetical Perspectives 30. Euro-American Perspectives Conclusion