E-Book, Englisch, 460 Seiten, eBook
Cardullo Teaching Sound Film
1. Auflage 2017
ISBN: 978-94-6300-726-9
Verlag: Sense Publishers
Format: PDF
Kopierschutz: 1 - PDF Watermark
A Reader
E-Book, Englisch, 460 Seiten, eBook
ISBN: 978-94-6300-726-9
Verlag: Sense Publishers
Format: PDF
Kopierschutz: 1 - PDF Watermark
Zielgruppe
Research
Autoren/Hrsg.
Weitere Infos & Material
List of Figures.- Introduction.- The Front Page, Dramatic Farce, and American (Film) Comedy.- Period Piece, Peace Picture: Renoir’s La Grande illusion Reconsidered.- The Real Fascination of Citizen Kane: Welles’s Masterpiece Reconsidered.- Italian Neorealism, Vittorio De Sica, and Bicycle Thieves.- Death Wish, Child’s Whim, Auteurist Will: Boyer and Clément’s Forbidden Games Replayed.- Circumstantial Evidence: Akira Kurosawa and The Seven Samurai.- The Artistic Achievement of Federico Fellini: The Nights of Cabiria as Exemplum.- Farce, Dreams, and Desire: Billy Wilder’s Some Like It Hot Re-Viewed.- Married to the Job: Ermanno Olmi’s Il posto.- Neorealist Art vs. Operatic Acting in Pasolini’s Mamma Roma.- Trainspotting: Jirí Menzel’s Closely Watched Trains.- Thought, Feeling, and the Cinema of Francis Ford Coppola: The Rain People as Exemplum.- The Fall of Béatrice, the Salvation of Pomme: Simultaneity and Stillness in Goretta’s The Lacemaker.- Wooden Allen, or Made in Manhattan.- Memories Are Made of This: Rainer Werner Fassbinder’s Veronika Voss.- Case Reopened: Mrinal Sen’s The Case Is Closed.- Epiphanies: Nanni Moretti’s The Mass Is Ended.- Comedies Are Proverbial: Eric Rohmer’s Boyfriends and Girlfriends.- Finnish Character: Aki Kaurismäki’s Ariel.- Law of the Jungle: Idrissa Ouédraogo’s Tilaï.- María Novaro’s Danzón in Light of the Cinema of Pedro Almodóvar.- Work, Family, and Politics: Ken Loach’s Riff-Raff.- The Uses of History: Chen Kaige’s Farewell, My Concubine.- The Prison-House of Sexuality: Tomás Gutiérrez Alea’s Strawberry and Chocolate.- Lower Depths, Higher Planes: The Dardennes’ La Promesse.- Wind and Dust: Abbas Kiarostami’s The Wind Will Carry Us.- Of Human Bondage and Male Indulgence: Amos Gitai’s Kadosh.- Latino Art through European Eyes, or against the American Evil Eye: Barbet Schroeder’s Our Lady of the Assassins.- All about My, Your, Their Mother: Andrucha Waddington’s Me, You, Them.- The Space of Time, the Sound of Silence: Tsai Ming-Liang’s What Time Is It There?.- Shoot the Piano Player: The Piano Teacher and the Cinema of Michael Haneke.- An Afghan Is a Woman: Siddiq Barmak’s Osama.- Engendering Genre: Hong Sang-Soo’s Woman Is the Future of Man.- Suffer the Children: Andrei Kravchuk’s The Italian.- The Big Wait: Corneliu Porumboiu’s Police, Adjective.- Glossary of Basic Film Terms.- Film Credits and Directors’ Feature Filmographies.- General Bibliography.- Topics for Writing and Discussion.- Appendix A: Theater versus Film, Redux: An Historical Overview.- Appendix B: Playing to the Camera or the House: Stage vs. Screen Acting.- Appendix C: Art-House Cinema, Avant-Garde Film, and Dramatic Modernism.- About the Author.- Index.