Music in Time

Phenomenology, Perception, Performance
Erscheinungsjahr 2020
ISBN: 978-0-9640317-7-7
Verlag: Harvard University Press

Buch, Englisch, Band 9, 352 Seiten, Format (B × H): 152 mm x 231 mm, Gewicht: 612 g

Reihe: Isham Library Papers

Music exists in time. All musicians know this fundamental truth—but what does it actually mean? Thirteen scholars probe the temporality of music from a great variety of perspectives, in response to challenges that Christopher F. Hasty, Walter Naumburg Professor of Music at Harvard University, laid out in his groundbreaking Meter as Rhythm. The essays included here bridge the conventional divides between theory, history, ethnomusicology, aesthetics, performance practice, cognitive psychology, and dance studies. In these investigations, music emerges as an art form that has an important lesson to teach. Not only can music be understood as sounds shaped in time but—more radically—as time shaped in sounds.

Autoren/Hrsg.

Clark, Suzannah

Rehding, Alexander

Fachgebiete

• Geisteswissenschaften Musikwissenschaft Geschichte der Musik
• Geisteswissenschaften Musikwissenschaft Musikwissenschaft Allgemein

Über Autor(innen)

Rehding, Alexander
Alexander Rehding is Fanny Peabody Professor of Music, Harvard University.

Clark, Suzannah
Suzannah Clark is Professor of Music, Harvard University.