Victorian Artists' Autograph Replicas

Auras, Aesthetics, Patronage and the Art Market
1. Auflage 2024
ISBN: 978-1-032-92251-5
Verlag: Taylor & Francis Ltd

Buch, Englisch, 314 Seiten, Format (B × H): 245 mm x 174 mm, Gewicht: 630 g

Reihe: British Art: Histories and Interpretations since 1700

This book is a wide-ranging exploration of the production of Victorian art autograph replicas, a painting’s subsequent versions created by the same artist who painted the first version.

Autograph replicas were considered originals, not copies, and were highly valued by collectors in Britain, America, Japan, Australia, and South Africa. Motivated by complex combinations of aesthetic and commercial interests, replicas generated a global, and especially transatlantic, market between the 1870s and the 1940s, and almost all collected replicas were eventually donated to US public museums, giving replicas authority in matters of public taste and museums’ modern cultural roles.

This book will be of interest to scholars in art history, museum studies, and economic history.

Zielgruppe

Academic, Postgraduate, and Undergraduate

Autoren/Hrsg.

Codell, Julie F.

Fachgebiete

• Wirtschaftswissenschaften Wirtschaftswissenschaften Wirtschaftsgeschichte
• Wirtschaftswissenschaften Wirtschaftssektoren & Branchen Einzel- und Großhandel
• Interdisziplinäres Wissenschaften Wissenschaft und Gesellschaft | Kulturwissenschaften Museumskunde, Materielle Kultur, Erinnerungskultur
• Geisteswissenschaften Geschichtswissenschaft Weltgeschichte & Geschichte einzelner Länder und Gebietsräume Europäische Geschichte
• Wirtschaftswissenschaften Betriebswirtschaft Management
• Geisteswissenschaften Kunst Kunstgeschichte
• Geisteswissenschaften Kunst Kunstformen, Kunsthandwerk Malerei: Gemälde
• Geisteswissenschaften Kunst Kunst, allgemein Kunsttechniken & Prinzipien
• Geisteswissenschaften Kunst Kunst, allgemein Ausstellungskataloge, Museumsführer
• Geisteswissenschaften Kunst Kunst, allgemein Kunstförderung, Mäzenatentum, Auktionen

Inhaltsverzeichnis

I. Introduction

1. Artists' Autograph Replicas: Auras, Aesthetics, Copyright, and Economics - Julie F. Codell

II Autograph Replicas: Location as Meaning

2. The American Replica: The Politics and Status of the Artist's Autograph Replica in the Gilded Age - Jo Briggs

3. "Mere dead copies"? Frank Holl’s Newgate and the Lives of Painted Replicas - Andrea Korda

III. A Case Study: Albert Moore

4. Albert Moore: Themes and Variations - Richard Green

5. Repetition, Aestheticism, and Copyright Law in the Art Practice of Albert Moore - Robyn Asleson

IV. Replicas and Artists’ Agency

6. Patrons' Desire: Dante Gabriel Rossetti’s Prolific Replicas - Julie F. Codell

7. Ford Madox Brown, Cultural Experience, and the Promise of the Replica - Colin Trodd

8. William Powell Frith’s Double Life: An Artist Coping with a Changing Market - Sally Woodcock

V. Multiple Motivations

9. The Uncertain Status of William Holman Hunt’s Oil Replicas - Judith Bronkhurst

10. G. F. Watts’s Other Hope (1891): Anatomy of a Version - Barbara Bryant

11. Dadd's Doubles - Nicholas Tromans

12. "Splendid Architectural Paintings": The Replicas of David Roberts - Krystyna Matyjaszkiewicz with Briony Llewellyn

VI. Creativity, Reputation, and the Market

13. From Replica to Original: Abraham Solomon and the Market for Modern-Life Subjects - Pamela Fletcher

14. Is He Repeating Himself? Creative, Aesthetic, and Commercial Dialogue in the Replicas of John Frederick Lewis - Briony Llewellyn

15. Celebrated Variations on a Theme: The Replicas of Edward Coley Burne-Jones - Fiona Mann

16. Elizabeth Thompson Butler: A Gendered Story of Replication? - Dorothy Nott

17. Creating and Meeting Demand: James Tissot's London Replicas - Krystyna Matyjaszkiewicz

Über Autor(innen)

Julie F. Codell is Professor of Art History at Arizona State University, and affiliate faculty in the Asian Research Center, and Film and Media Studies.