Pro Tools 9

Music Production, Recording, Editing, and Mixing
1. Auflage 2011
ISBN: 978-0-240-52248-7
Verlag: Taylor & Francis Ltd

Buch, Englisch, 408 Seiten, Format (B × H): 192 mm x 235 mm, Gewicht: 958 g

Prepare yourself to be a great producer when using Pro Tools in your studio. Pro Tools 9 for Music Production is the definitive guide to the software for new and professional users, providing you with all the vital skills you need to know. Covering both the Pro Tools HD and LE this book is extensively illustrated in color and packed with time saving hints and tips, it is a great reference to keep on hand as a constant source of information.

Detailed chapters on the user interface, the MIDI and scoring features, recording, editing, signal processing and mixing blend essential knowledge with tutorials and practical examples from actual recordings.

New and updated materials include:

*Pro Tools 9 software described in detail
*Details of the new functions and features of PT9
*Full color screen shots and equipment photos

Pro Tools 9 for Music Production is a vital source of reference, for the working professional or serious hobbyist looking for professional results.

Zielgruppe

General and Professional Practice & Development

Autoren/Hrsg.

Collins, Mike E.

Collins, Mike

Fachgebiete

• Mathematik | Informatik EDV | Informatik Professionelle Anwendung Digitale Musik
• Geisteswissenschaften Musikwissenschaft Musikwissenschaft Allgemein Musikalische Akustik, Tontechnik, Musikaufnahme

Inhaltsverzeichnis

Chapter 1: Pro Tools - The World's Leading Digital Audio Workstation
Chapter 2: Using Pro Tools
Chapter 3: Time Operations, Tempo Operations, and Key Signatures
Chapter 4: Working with MIDI
Chapter 5: Recording
Chapter 6: Editing
Chapter 7: Mixing
Chapter 8: New Hardware & Software: PT9

On the website
Appendix A: Summing to Talk About!
Appendix B: Troubles with Dongles
Appendix C: Avid/Euphonix Eucon Support
Appendix D: Hardware Options for Pro Tools LE and M-Powered Systems
Appendix E: Pro Tools Hardware
Appendix F: Eleven Rack
Appendix G: Pro Tools HD New Hardware 2010
Appendix H: Pro Tools 8 Competition Analysis
Appendix I: Pro Tools 9 Laptop System
Appendix J: Powered Plug-ins

Über Autor(innen)

Mike Collins (Author)
Mike Collins is a studio musician, recording engineer and producer with more than 30 years experience of making records. He has many credits on UK chart singles and albums, for radio and TV broadcasts, advertising jingles and movie scores.

Mike was awarded a BSc Degree in Electroacoustics-with-Music from Salford University in 1979, became a Member of the Audio Engineering Society in 1980, and was awarded an MSc Degree in Music Information Technology, with Distinction, in 1989.

After graduating, he spent 14 months working on transducer designs for Standard Telephones and Cables (STC), followed by a couple of 6-month stints as a Planning & Installation Engineer for Neve Electronics and as a Film Sound Consultant for Dolby Labs, before joining Yamaha's London R & D Studio in 1986 as Senior Recording Engineer and Music Technology Specialist.

Working freelance since 1988, Mike has regularly reviewed music and audio software and hardware and written about a variety of audio and music production topics, with more than 2000 articles and reviews published in Pro Sound News Europe, Future Music, Computer Music, Macworld, MacUser, Personal Computer World, Sound On Sound, AudioMedia, Studio Sound, Electronic Musician, EQ, MIX and similar publications.

In parallel with this, Mike established a career throughout the 1990's as a studio musician, MIDI programmer, recording engineer and producer working on Top 40 albums and singles in the leading London recording studios including Abbey Road, Mayfair, Townhouse, Eden, Strongroom and Sony Whitfield Street Studios, CTS and Lansdowne Studios. In 1997, Mike set up a project studio equipped with a high-end Pro Tools system and has since been involved in everything from dance remixes to TV ads, background and featured music for TV and video, album editing and compilation, and, since 1999, producing jazz, blues and soul recordings. Notable projects include working on music for a Deutsche Bank promotional video, co-production credits on Ayetoro, an experimental jazz/Afrobeat album, and, in 2010, working as a freelance audio transfer engineer at Iron Mountain's studio facility in Slough, helping to digitize Universal Music's vast library of master tape recordings. Most recently, Mike has set up a 'boutique' record label to release recordings he has produced - see http://rudenoterecords.com/author/rudenoterecords/