Creative Labor and Professional Practice
Buch, Englisch, 164 Seiten, Format (B × H): 159 mm x 233 mm, Gewicht: 266 g
ISBN: 978-0-415-64267-5
Verlag: Taylor & Francis Ltd
Author Bridget Conor considers the ways in which contemporary screenwriters navigate and make sense of the labor markets in which they are immersed.
Chapters explore areas including:
- Screenwriting histories and myths of the profession
- Screenwriting as creative labor
- Screenwriters’ working lives
- Screenwriting work and the how-to genre
- Screenwriting work and inequalities
Drawing on historical and critical perspectives of mainstream screenwriting in the USA and UK, as well as valuable interviews with working screenwriters, this book presents a highly original and multi-faceted study of screenwriting as creative labor and professional practice.
The Open Access version of this book, available at www.taylorandfrancis.com, has been made available under a Creative Commons Attribution-NonCommercial-No Derivatives 4.0 license.https://www.taylorfrancis.com/books/9780203080771
Autoren/Hrsg.
Fachgebiete
- Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmdrehbücher
- Sozialwissenschaften Soziologie | Soziale Arbeit Spezielle Soziologie Mediensoziologie
- Sozialwissenschaften Medien- und Kommunikationswissenschaften Medienwissenschaften
Weitere Infos & Material
Introduction: Setting the ‘scene’ 1. Screenwriting histories and myths of the profession 2. Screenwriting as creative labor 3. Screenwriters’ working lives 4. Screenwriting work and the how-to genre 5. Screenwriting work – who’s in and who’s out? Conclusion: Screenwriting as good work Appendix One: How-to titles and authors Appendix Two: Indicative publishing information for five ‘guru’ how-to texts Bibliography