Davies Art as Performance
1. Auflage 2008
ISBN: 978-1-4051-4364-6
Verlag: John Wiley & Sons
Format: PDF
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)
E-Book, Englisch, 296 Seiten, E-Book
Reihe: New Directions in Aesthetics
ISBN: 978-1-4051-4364-6
Verlag: John Wiley & Sons
Format: PDF
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)
In this richly argued and provocative book, David Davies elaboratesand defends a broad conceptual framework for thinking about thearts that reveals important continuities and discontinuitiesbetween traditional and modern art, and between different artisticdisciplines.
* * Elaborates and defends a broad conceptual framework forthinking about the arts.
* Offers a provocative view about the kinds of things thatartworks are and how they are to be understood.
* Reveals important continuities and discontinuities betweentraditional and modern art.
* Highlights core topics in aesthetics and art theory, includingtraditional theories about the nature of art, aestheticappreciation, artistic intentions, performance, and artisticmeaning.
Autoren/Hrsg.
Weitere Infos & Material
Preface.
1. Introduction:.
Challenges to Aesthetic Empiricism.
Methodological Interlude: The 'Pragmatic Constraint'on the Ontology of Art.
Aesthetic Empiricism and the Philosophy of Art.
2. Aesthetic Empiricism:.
Indirect Arguments Against Aesthetic Empiricism.
3. The Fine Structure of the Focus of Appreciation:.
The Structure of the Focus of Appreciation.
4. The Artwork as Performance: An Argument from ArtisticIntentions:.
Overview.
The Bearing of Provenance on Work and Focus.
Artistic Intentions and the Ontology of Art.
Interpretation and Intention.
A Role for Actual Intentions.
Ontological Implications.
Conclusions.
5. Provenance, Modality, and the Identity of theArtwork:.
Preliminaries.
6. Artwork, Action, and Performance.
7. Art as Performance:.
Elaborating the Performance Theory.
Structure and Focus.
Heuristics and the Individuation of Artworks.
Work-Constitution and Modality on the Performance Theory.
Performances, Actions, and Doings.
8. Revisionism and Modernism Revisited.
9. Performance as Art.
10. Defining 'Art' as Performance, and the Valuesof Art:.
Notes Towards a Definition of 'Art'.
The Values of Art.
Conclusions: The Case Against Contextualism.
References.
Index