Themes in the Philosophy of Music

Erscheinungsjahr 2005
ISBN: 978-0-19-928017-9
Verlag: OUP Oxford

Buch, Englisch, 292 Seiten, Format (B × H): 156 mm x 234 mm, Gewicht: 447 g

Representing Stephen Davies's best shorter writings, these essays outline developments within the philosophy of music over the last two decades, and summarize the state of play at the beginning of a new century. Including two new and previously unpublished pieces, they address both perennial questions and contemporary controversies, such as that over the 'authentic performance' movement, and the impact of modern technology on the presentation and reception of musical works. Rather than attempting to reduce musical works to a single type, Davies recognizes a great variety of kinds, and a complementary range of possibilities for their rendition.

Among the questions that Davies considers are these: How can expressiveness be in a musical work when music experiences nothing? Is music a language of the emotions? How do recorded pop songs and purely electronic pieces differ from works created for live performance? Is John Cage's silent piece, 4'33", music? To what extent is the performer free to create her own interpretation and to what extent is she constrained by the composer's score? Is training in musical technicalities a prerequisite for a full appreciation of musical works and performances? Is an awareness of the socio-historical setting in which a work is created relevant to its appreciation? How does the value of individual musical works go beyond the worth of an interest in music in general?

Stimulating and insightful both as individual discussions and as a coherent argument, these essays will be greatly enjoyed by philosophers, aestheticians, art theorists, and musicologists.

Zielgruppe

Students and scholars of philosophy, aesthetics, art theory, and musicology.

Autoren/Hrsg.

Davies, Stephen

Fachgebiete

• Geisteswissenschaften Kunst Kunst, allgemein Kunsttheorie, Kunstphilosophie
• Geisteswissenschaften Musikwissenschaft Musikwissenschaft Allgemein Musiktheorie, Musikästhetik, Kompositionslehre
• Geisteswissenschaften Philosophie Ästhetik

Inhaltsverzeichnis

- Introduction

- ONTOLOGY

- 1: John Cage's 4'33. Is it Music?

- 2: Ontologies of Musical Works

- 3: Transcription, Authenticity, and Performance

- 4: The Ontology of Musical Works and the Authenticity of their Performances

- PERFORMANCE

- 5: Authenticity in Musical Performance

- 6: So, You Want to Sing with the Beatles? Too Late!

- 7: What is the Sound of One Piano Plummeting?

- EXPRESSION

- 8: The Expression of Emotion in Music

- 9: Is Music a Language of the Emotions?

- 10: Contra the Hypothetical Persona in Music

- 11: Philosophical Perspectives on Music's Expressiveness

- APPRECIATION

- 12: The Evaluation of Music

- 13: Musical Understandings and Musical Kinds

- 14: Attributing Significance to Unobvious Musical Relationships

- 15: The Multiple Interpretability of Musical Works

Über Autor(innen)

University of Auckland, New Zealand