Dilley The Cinema of Ang Lee

The Other Side of the Screen
2. Auflage 2014
ISBN: 978-0-231-53849-7
Verlag: De Gruyter
Format: EPUB
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)

E-Book, Englisch, 496 Seiten, Format (B × H): 152 mm x 229 mm

Reihe: Directors' Cuts

Suggestive readings of gender and identity explore the international appeal of Ang Lee

Autoren/Hrsg.

Dilley, Whitney Crothers

Fachgebiete

• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Einzelne Filmschauspieler, Filmregisseure, Drehbuchautoren
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmtheorie, Filmanalyse

Inhaltsverzeichnis

Acknowledgments
Note on Transliteration
1. Introduction: Ang Lee—A History
2. Ang Lee as Director: His Position in Asian and World Cinema
3. Confucian Values and Cultural Displacement in Pushing Hands
4. Transgressing Boundaries of Gender and Culture in The Wedding Banquet
5. Globalization and Cultural Identity in Eat Drink Man Woman
6. Opposition and Resolution in Sense and Sensibility
7. Fragmentary Narratives/Fragmented Identities in The Ice Storm
8. Race, Gender, Class, and Social Identity in Ride with the Devil
9. Wuxia Narrative and Transnational Chinese Identity in Crouching Tiger, Hidden Dragon
10. The Ultimate Outsider: Hulk
11. Transcending Gender in Brokeback Mountain
12. Eroticism and Performance in Lust/Caution
13. Memory, Narrative, and Transformation in Taking Woodstock
14. Storytelling and Truth in Life of Pi: A Spiritual Journey
15. Conclusion: The Dream of Cinema
Notes
Bibliography
Index

Über Autor(innen)

Whitney Crothers Dilley is professor in the Department of English with a dual appointment in the Graduate School of Gender Studies at Shih Hsin University in Taipei, Taiwan. She is also editor, with Peng-hsiang Chen, of Feminism/Femininity in Chinese Literature.