Elkins The Domain of Images

1. Auflage 2018
ISBN: 978-1-5017-2390-2
Verlag: De Gruyter
Format: PDF
Kopierschutz: 0 - No protection

E-Book, Englisch, 304 Seiten, Format (B × H): 178 mm x 254 mm

In the domain of visual images, those of fine art form a tiny minority. This original and brilliant book calls upon art historians to look beyond their traditional subjects—painting, drawing, photography, and printmaking—to the vast array of "nonart" images, including those from science, technology, commerce, medicine, music, and archaeology. Such images, James Elkins asserts, can be as rich and expressive as any canonical painting. Using scores of illustrations as examples, he proposes a radically new way of thinking about visual analysis, one that relies on an object's own internal sense of organization.Elkins begins by demonstrating the arbitrariness of current criteria used by art historians for selecting images for study. He urges scholars to adopt, instead, the far broader criteria of the young field of image studies. After analyzing the philosophic underpinnings of this interdisciplinary field, he surveys the entire range of images, from calligraphy to mathematical graphs and abstract painting. Throughout, Elkins blends philosophic analysis with historical detail to produce a startling new sense of such basic terms as pictures, writing, and notation.

Autoren/Hrsg.

Elkins, James

Fachgebiete

• Geisteswissenschaften Kunst Kunst, allgemein Geschichte der Kunstwissenschaft und Kunstkritik
• Geisteswissenschaften Kunst Kunstgeschichte
• Geisteswissenschaften Philosophie Ästhetik
• Geisteswissenschaften Kunst Kunst, allgemein Kunsttheorie, Kunstphilosophie

Über Autor(innen)

ElkinsJames:
James Elkins teaches in the Department of Art History, Theory, and Criticism at the School of the Art Institute of Chicago. His books include The Object Stares Back, On the Nature of Seeing, What Painting Is; and, also from Cornell, The Poetics of Perspective.