Megaliths, Music, and the Mind

A Transdisciplinary Exploration of Archaeoacoustics
1. Auflage 2024
ISBN: 978-981-5129-25-0
Verlag: Jenny Stanford Publishing

Buch, Englisch, 280 Seiten, Format (B × H): 152 mm x 229 mm

What drove the building of the first megalithic monuments and lifestyle changes that launched Western civilization? This exploration of the human experience of special sound in ancient ritual and ceremonial spaces brings a new perspective for anyone with an interest in prehistory and human development in its most pivotal days. From Göbekli Tepe in Anatolia to megalithic temples in Malta to passage tombs in Ireland, the world’s oldest buildings and the newest scientific research combine for a look at the Western Neolithic Revolution that goes where no one has gone before. With original photos and illustrations, Megaliths, Music and the Mind assembles content from the worlds of archaeology, architecture, anthropology, ethnomusicology, genetics, neuroscience, physics, and more. Fascinating pieces of evidence are set side by side, resulting in a stunning premise. This book is a core overview focused on the rediscovery of an ill-understood sensory element of developing culture, with hope for therapeutic application in the modern world. Material from the out-of-print booklet Listening for Ancient Gods has been expanded and updated in this volume, which also includes select papers from OTSF Archaeoacoustics International Conferences, plus a personal account from one of the founding fathers of new-age music.

Zielgruppe

Postgraduate

Autoren/Hrsg.

Eneix, Linda

Fachgebiete

• Geisteswissenschaften Musikwissenschaft Musikwissenschaft Allgemein
• Naturwissenschaften Biowissenschaften Biowissenschaften
• Sozialwissenschaften Soziologie | Soziale Arbeit Soziologie Allgemein

Inhaltsverzeichnis

1. Introduction

The “Sapient Paradox” Question

Emergence of a New Field of Study

Assembling Expert Voices

 

2. The Hal Saflieni Project

The Megalithic Range

Human Response

 

3. Orientation

The Sapient Development Timeline

Neolithic Revolution

Genetics and Migrations

 

4. Megaliths

The Earliest

Placement

Design

Acoustification/Intention

Materials

Incentive and Project Management

 

5. Music

Instruments

Melody

 

6. The Mind

The Spiritual Element

Magic?

Art

Neuroscience

 

7. The Present of Archaeoacoustics

 

Pseudoscience and the Wall of Resistance

Research

Application

 

Bonus Material

Resonant Form: The Convergence of Sound and Space

The Hal Saflieni Hypogeum: A Link between Palaeolithic Painted Caves and Romanesque Chapels?

Fear and Amazement

Sound, Cognition, and Social Control

Voicing Cave: Experience and Metaphor, from Archaeoacoustics to Voice Therapy

Initiation: Inside the Great Pyramid

Über Autor(innen)

Linda C. Eneix, CEO of The OTS Foundation for Neolithic Studies, is a prehistorian and advocate for transdisciplinary study. As a program provider for the Elderhostel/Road Scholar organization for 25 years, she introduced a program of lifelong learning for Americans in Malta. A pioneer in the field of Archaeoacoustics, she has organized three international multi-disciplinary conferences on the subject and edited their proceedings, as well as supported research. Ms Eneix was named one of 2021’s Top 25 Outstanding Women Listeners in the World by the Global Listening Centre. Her work has been featured at conferences and colleges all over the USA, as well as in Portugal, Turkey, Spain, and The Centre Culturel Christiane Peugeot, Paris, France. She has written numerous books and magazine articles. Ms Eneix has been consulted for film, television, and print media in the USA and Europe and has appeared on international television for the Discovery Network and the History Channel.