E-Book, Englisch, 240 Seiten
Reihe: Studies in Modern Drama
Fahy / King Captive Audience
Erscheinungsjahr 2004
ISBN: 978-1-135-88895-4
Verlag: CRC Press
Format: PDF
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)
Prison and Captivity in Contemporary Theatre
E-Book, Englisch, 240 Seiten
Reihe: Studies in Modern Drama
ISBN: 978-1-135-88895-4
Verlag: CRC Press
Format: PDF
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)
The first collection on this important topic, Captive Audience examines the social, gendered, ethnic, and cultural problems of incarceration as explored in contemporary theatre. Beginning with an essay by Harold Pinter, the original contributions discuss work including Harold Pinter's screenplays for The Handmaid's Tale and The Trial, Theatrical Prison Projects and Marat/Sade. Kimball King, Thomas Fahy, Rena Fraden, Tiffany Ana Lopez, Fiona Mills, Harold Pinter, Ann C. Hall, Christopher C. Hudgins, Pamela Cooper, Robert F. Gross, Claudia Barnett, Lois Gordon
Autoren/Hrsg.
Fachgebiete
Weitere Infos & Material
Contents
General Editor's Note
"Captive Audience": An Introduction
Part I
1. The Confessional Voice: Medea's Brutal Imagination
2. Emotional Contraband: Prison as Metaphor and Meaning in U.S. Latina Drama
3. Seeing Ethnicity: The Impact of Race and Class on the Critical Reception of Miguel Piñero's Short Eyes
Part II
4. On Prisons in the United States
5. Harold Pinter's Prison House: The Screenplay of Kafka's The Trial
6. Harold Pinter's The Handmaid's Tale: Freedom, Prison, and a Highjacked Script
7. "A World of Bodies": Performing Flesh in Marat/Sade
8. The Disposal: William Inge's Abject Drama
9. "In Dark Corners": Masculinity and Art in Tennessee Williams's Not about Nightingales
10. Physical Prisons: Naomi Wallace's Drama of Captivity
11. No Exit and Waiting for Godot: Performances in Contrast
Contributors