The Data Storytelling Workbook

1. Auflage 2020
ISBN: 978-1-138-05211-6
Verlag: Taylor & Francis Ltd

Buch, Englisch, 256 Seiten, Format (B × H): 185 mm x 239 mm, Gewicht: 621 g

From tracking down information to symbolising human experiences, this book is your guide to telling more effective, empathetic and evidence-based data stories.

Drawing on cross-disciplinary research and first-hand accounts of projects ranging from public health to housing justice, The Data Storytelling Workbook introduces key concepts, challenges and problem-solving strategies in the emerging field of data storytelling. Filled with practical exercises and activities, the workbook offers interactive training materials that can be used for teaching and professional development. By approaching both ‘data’ and ‘storytelling’ in a broad sense, the book combines theory and practice around real-world data storytelling scenarios, offering critical reflection alongside practical and creative solutions to challenges in the data storytelling process, from tracking down hard to find information, to the ethics of visualising difficult subjects like death and human rights.

Autoren/Hrsg.

Feigenbaum, Anna

Alamalhodaei, Aria

Fachgebiete

• Sozialwissenschaften Soziologie | Soziale Arbeit Spezielle Soziologie Mediensoziologie
• Sozialwissenschaften Medien- und Kommunikationswissenschaften Medienwissenschaften

Inhaltsverzeichnis

Introduction

1. A Narrative Approach to Data Storytelling

2. Navigating Data's Unequal Terrain

3. Visual Data Storytelling

4. Data Storytelling with Maps

5. Future-Proof Principles

Index

Über Autor(innen)

Anna Feigenbaum is a Principal Academic in Digital Storytelling at Bournemouth University, UK, where she runs the Civic Media Hub, a knowledge exchange enterprise that specialises in data storytelling for human rights, social equity, and health and wellbeing. Anna regularly publishes in media outlets and academic journals. She is a co-author of Protest Camps (2013) and author of Tear Gas (2017).

Aria Alamalhodaei is an independent writer and researcher. She received her Master of Arts in Art History from the Courtauld Institute of Art, London, UK. She has written extensively about science, technology, and art for academic and popular publications.