Reimagining Communication

Mediation
1. Auflage 2020
ISBN: 978-1-138-49890-7
Verlag: Routledge

Buch, Englisch, 362 Seiten, Format (B × H): 157 mm x 235 mm, Gewicht: 678 g

Reihe: Reimagining Communication

Reimagining Communication: Mediation explores information and media technologies across a variety of contemporary platforms, uses, content variations, audiences, and professional roles.

A diverse body of contributions in this unique interdisciplinary resource offers perspectives on digital games, social media, photography, and more. The volume is organized to reflect a pedagogical approach of carefully laddered and sequenced topics, which supports experiential, project-based learning in addition to a course’s traditional writing requirements. As the field of Communication Studies has been continuously growing and reaching new horizons, this volume synthesizes the complex relationship of communication to media technologies and its forms in a uniquely accessible and engaging way.

This is an essential introductory text for advanced undergraduate and graduate students and scholars of communication, broadcast media, and interactive technologies, with an interdisciplinary focus and an emphasis on the integration of new technologies.

Autoren/Hrsg.

Filimowicz, Michael

Tzankova, Veronika

Fachgebiete

• Sozialwissenschaften Medien- und Kommunikationswissenschaften Kommunikationswissenschaften
• Technische Wissenschaften Elektronik | Nachrichtentechnik Nachrichten- und Kommunikationstechnik
• Geisteswissenschaften Kunst Kunstformen, Kunsthandwerk Installations-, Aktions-, Computer- und Videokunst

Inhaltsverzeichnis

Media Archaeology and Mediation: the Magic Lantern as an Object of Theoretical Reflection; Intangible Photography; Cinema Studies; Video: Aesthetics/Agonism/Anti-dialectics; Uneasy Intimacies: Acoustic Space and Machines of Presence; Ante-Narrative and the Animated Time Image; The Medium of Comics; or the Art of Co-Presence; Visualizing the News: Conceptual Foundations and Emerging Technology; Facilitating communicative environments:; An exploration of game modalities as facilitators of prosocial change; Augmented Reality; Social Media; The Rise of Consumer Generated Content and Its Transformative Effect on Advertising; Music in Streams: Communicating Music in the Streaming Paradigm; Digital Copyright; Reimagining copies in digital networks; Questioning algorithms and agency: facial biometrics in algorithmic contexts; Digital Privacy & Interdisciplinarity: Tendencies, Problems, and Possibilities; Reimagining Communication with Conversational User Interfaces: Anthropomorphic Design and Conversational User Experience; Brain Computer Interface;

Über Autor(innen)

Michael Filimowicz, PhD, is Senior Lecturer in the School of Interactive Arts and Technology at Simon Fraser University. His research is in the area of computer mediated communication, with a focus on new media poetics applied in the development of new immersive audiovisual displays for simulations, exhibition, games, and telepresence as well as research creation.

Veronika Tzankova is a PhD candidate in the School of Interactive Arts and Technology, Simon Fraser University and a Communications Instructor at Columbia College – both in Vancouver, Canada. Her background is in human-computer interaction and communication. Sport shapes the essence of her research which explores the potential of interactive technologies to enhance bodily awareness in high-risk sports activities.