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E-Book, Englisch, 206 Seiten

Fremlin Listening in the Dusk


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ISBN: 978-0-571-31281-8
Verlag: Faber & Faber
Format: EPUB
Kopierschutz: 6 - ePub Watermark

E-Book, Englisch, 206 Seiten

ISBN: 978-0-571-31281-8
Verlag: Faber & Faber
Format: EPUB
Kopierschutz: 6 - ePub Watermark



'Britain's equivalent to Patricia Highsmith, Celia Fremlin wrote psychological thrillers that changed the landscape of crime fiction for ever: her novels are domestic, subtle, penetrating - and quite horribly chilling.' Andrew Taylor Listening in the Dusk (1990), Celia Fremlin's thirteenth novel, concerns Alice Saunders, a woman striking out on her own following a traumatic marital breakup. But when she rents a drafty attic room in a ramshackle London boarding house she meets the mysterious Mary - a young woman clearly terrified of something, or someone. 'Tart and chilling piece of superior Fremlin Gothic, with some wonderful characterization and great comic passages.' Sunday Times 'Suspense and mystery at its elegant best.' Birmingham Post 'Celia Fremlin is an astonishing writer, who explores that nightmare country where brain, mind and self battle to establish the truth. She illuminates her dark world with acute perception and great wit.' Natasha Cooper

Celia Fremlin (1914-2009) was born in Kent and spent her childhood in Hertfordshire, before studying at Oxford (whilst working as a charwoman). During World War Two, she served as an air-raid warden before becoming involved with the Mass Observation Project, collaborating on a study of women workers, War Factory. In 1942 she married Elia Goller, moved to Hampstead and had three children. In 1968, their youngest daughter committed suicide aged 19; a month later, her husband also killed himself. In the wake of these tragedies, Fremlin briefly relocated to Geneva. In 1985, she married Leslie Minchin, with whom she lived until his death in 1999. Over four decades, Fremlin wrote sixteen celebrated novels - including the classic summer holiday seaside mystery Uncle Paul (1959) - one book of poetry and three story collections. Her debut The Hours Before Dawnwon the Edgar Award in 1960.
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When she came back about two hours later, with her suitcase and her set of Jane Austens, Alice found that her landlady had added what she could in the way of homely touches by fixing a hundred and fifty watt bulb in the light socket, and throwing a dirty lace bed-cover over the dismembered motor bike. In the relentless glare from the low, sloping ceiling the room looked derelict beyond description. Each broken-down discarded object now obtruded not only itself but also a bizarre and jagged shadow cast by the low-slung naked bulb; the whole presenting a sinister tangle of inter-lacing darkness, black on black, far into the narrowing recesses of the room where the ceiling sloped almost to the floor. It could have been a film set for one of those Sci.Fi. movies about the collapse of technological civilisation: enlarged to monster size on the big screen, it would look like the whole world crumbling to ruin. And there in the middle of it was Alice, the last humanoid left alive after whatever-it-was, inter-planetary war, or something. Only of course in the film she wouldn’t have been a deserted wife, pushing forty, hunched into a winter coat and boots, mouth ugly with anxiety and cold. She would have been a dazzling blonde in a bikini, her lithe body tanned to perfection and impervious to danger, cold and discomfort as it preened and cavorted its way to pre-ordained happiness.

Pre-ordained happiness. Not so long ago, Alice had thought — indeed had taken for granted — that happiness was pre-ordained for her, too; that she had a right to it, somehow, as a consequence of all the pleasant, uneventful years during which disasters had only happened to other people. She had got into the university of her choice; had graduated from it with a first-class degree; had found a satisfying job in a school where they actually wanted a teacher of Classics. She had married the man she loved, and found herself totally happy with him. After such a run of good luck, it was hard not to feel like a fully paid-up member of some mysterious élite to whom Providence had granted special immunity, and to feel correspondingly outraged when Providence suddenly reneges on the bargain.

It’s not fair! Alice found herself silently protesting as she stared at her new home under the cruel light. It’s not fair! This is something that can’t happen to me!

For several seconds, she felt like flinging herself on to the narrow sagging divan that flanked one wall, covering her eyes with both hands against the glare, and screaming aloud until somebody came and did something. But of course no one would. Or, rather, they would come, and would do something, but inevitably it would be something intolerable to her pride.

Pride was the only thing she had left now (apart from the Jane Austens), and having hung on to it so grimly through all the bitter weeks since Rodney’s ultimatum, it would be absurd to squander it now.

Or had it, rather, been absurd to hang on to it in the first place? Why had she not done what the other forty-ish wives of her acquaintance had done, and fought (through solicitors, of course), for every penny she could screw out of her errant husband, for every stick of furniture, and above all for the right to stay in her comfortable, well-equipped home with its fitted carpets, its constant hot water, its books, its pictures, its plump cushions and softly-shaded lighting …?

She could have demanded all these things, quite easily. Rodney would have been reasonable; her own solicitors would have been pleased, and so, she suspected, would Rodney’s, committed though they were to fighting such claims. They would have known where they were then: they could have set in motion the familiar machinery for bargaining with bitter, rapacious wives — the sort of wives they best understood — and after the long, formal wrangling, everyone would have got their rights. Or what they wanted. Or what they ought to want. Or something

But she hadn’t given them the satisfaction, none of them, neither the friends nor the foes.

“I’m not taking anything!” she had cried. “Not a penny of your money, not a stick of furniture! Nothing!”

And out she had walked. With nothing. Well, nothing that she couldn’t carry to the bus-stop in her own two hands, anyway.

To what purpose? In the interests of whose happiness? Certainly not Rodney’s, who would have vastly preferred a fair — even a generous — settlement. And as to her own happiness? Well, look at her now, spread-eagled on a damp, lumpy mattress in a derelict junk-room, icy cold, trying not to scream.

You’re crazy! You want your head examined! her friends had said when they heard of her plans, or rather, her lack of plans. How do you think you’re going to manage? they’d said. Where can you go, anyway? How do you think you’re going to get another job at your age? And it’s not fair on Rodney, they’d pointed out, when all other arguments had failed. It’s making him feel awful — this last from her sister-in-law.

Well, OK, so it wasn’t fair on Rodney. Why should it be? And of course it made him feel awful. Was this, perhaps, the whole object of the exercise? She had chosen to think of her motive as pride, but was it, rather, revenge? The subtle, sophisticated revenge that a woman like her, an intellectual sort of a woman, was turning out to be rather good at? The woman she had become, that is. The woman she had been only a few months ago was immeasurably nicer in every way, and would never have dreamed of hurting anyone deliberately, let alone her own husband.

It had been a good marriage, despite being childless. Or maybe because of being childless, each of them having no one but the other to please. Over the years, they’d had lots of fun together as well as love; indeed, it was the memory of the fun, and the betrayal of it, that hurt even more than the betrayal of love. She felt that she could perhaps have forgiven Rodney’s loving another woman: it was the drying-up of intimate, long-standing jokes that hurt most; the blank, uncomprehending stare with which he began to greet her amusing little anecdotes which would once have sent them into fits of shared laughter. This was the real betrayal. This was the pain which had lodged in her heart like a fishbone in one’s throat, and would not go away.

The most recent of their shared jokes was the one that hurt most to look back on.

“Watch out!” she remembered calling across the bedroom to Rodney one summer Saturday morning, her voice full of laughter. “Watch out! She’s there again!”

“Oh God, no! Where?” he’d answered, laughing likewise; and together they’d peered from behind the bedroom curtains, giggling like schoolchildren, as they watched the lumpy figure in its too-youthful summer dress sauntering by with would-be nonchalance, looking everywhere except up at the windows of the Saunders’ home.

Ivy Budd. A silly enough name in its own right, and conducive to a certain amount of idle mockery, even if it hadn’t been compounded by a degree of actual silliness almost beyond belief. Since parting from a rather shadowy Mr Budd some two or three years ago — whether by divorce or by some other form of natural wastage was unclear — Ivy had developed a forlorn and hopeless crush on Rodney Saunders, trailing him along the corridors of the polytechnic where they both worked, hanging about in the car-park at the end of the day in the hopes of seeing him come out and get into his car: even — who knows? — cherishing the even fainter hope that he might notice her, and offer her a lift to the station.

Which, in the early days, he had quite often done, as befitted a friendly colleague as yet unaware of his passenger’s girlish and unrequited passion.

It was Alice who had noted the symptoms first. She’d been walking up the road with the weekend shopping one Saturday morning when she’d encountered — slightly to her surprise, for the quiet residential road with its bright front gardens and flowering cherry-trees didn’t really lead to anywhere — this colleague of Rodney’s whom she knew at the time only very slightly.

“Hello,” she’d said, with the small polite smile one gives to near-strangers; and was about to pass on without further exchange, when the woman came to an awkward and jerky halt right in front of her, gulped uncomfortably and burst into rapid speech.

“I … I’m just on my way to post a letter,” she gabbled, displaying the envelope with a flourish as if it was a key exhibit for the Defence. “I only meant … That is, I thought if I could maybe catch the midday post …”

Vaguely puzzled by the gratuitous volley of information, Alice was at a loss for a reply. Why on earth should the woman find it necessary to explain to a near stranger her reason for walking peaceably along a public highway?

Oh, well. No business of mine, Alice had reflected, and passed on with a vague smile. She had thought no more about it until the following Saturday, when, looking out of the bedroom window she noticed once again this same woman, strolling, this time, at a leisurely pace as if waiting for someone to catch her up. But no one did, and not many minutes later, back she came again. Her pace was that of someone out for a stroll in the spring sunshine, and yet there was something intent and purposeful about her, an air of expectancy. The day was warm, and she was wearing a short cotton dress from which her muscular thighs projected like roof-supports, while her arms, scarlet with sunburn, hung from...



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