Friend Black Mamba

Main
ISBN: 978-1-83895-657-8
Verlag: Atlantic Books
Format: EPUB
Kopierschutz: 6 - ePub Watermark

E-Book, Englisch, 320 Seiten

'Great fun... the suspense slips its slow coils around you' Daily Mail Daddy, there's a man in our room... This is the chilling announcement Alfie hears one night, when he wakes in his quiet, suburban house to find his twin daughters at the foot of his bed. It's been nine months since Pippa - their mother - suddenly died and they've been unsettled ever since, so Alfie assumes they've probably had a nightmare. Still, he goes to check to reassure the girls. As expected he finds no man, but in the following days the girls begin to refer to someone called Black Mamba. What seemingly begins as an imaginary friend quickly develops into something darker, more obsessive, potentially violent. Alfie finds himself struggling to cope, and so he turns to Julia - Pippa's twin and a psychotherapist - for help. But as Black Mamba's coils tighten around the girls, Alfie and Julia must contend with their own unspoken sense of loss, their unacknowledged attraction to one another, and the true character of the presence poisoning the twins' minds... A darkling tale of tragedy, hauntings and sexual desire, Black Mamba is a novel of a father's love for his struggling daughters, and a widower's growing love for a woman after his wife's death. With smart, gothicky touches and a large and generous challenge to our assumptions of what and who constitutes a modern family, it explores both the limits we'll go to for our children and the sunken taboos of grief - of how erotics can still exist, and can even be life giving, after suffering loss.

William Friend studied English, French and Italian at university. He lives in Hertfordshire with his partner. Black Mamba is his first novel.

Autoren/Hrsg.

Friend, William

Leseproben

One

Alfie

This morning, I heard the name Black Mamba for the first time, and it made me remember some dreams. Not mine; dreams that my daughters had. Visions that splintered their sleep.

It began nine months after the accident. Every night, during the devil’s hour, I’d wake to find the twins standing motionless at the foot of my bed, their faces veiled by the dark.

.

Those words became familiar, like a choral refrain, and could stir my body whilst my mind, or the better part of it, remained asleep. I’d shift beneath the cold, stiff sheets, flatten my nose against the pillow and sigh. , I’d say. But my arm, half dead with sleep, would lift the duvet all the same and let the girls clamber in, to nestle in the cleft where their mum had once slept.

Naturally, the first night was different. On the first night, the twins’ mere presence at my bedside, sudden and unexpected, sent a shot of adrenaline through me.

‘Daddy, there’s a man in our room.’

The sentence jerked me upright, like the tug of a noose and the floor falling through beneath my feet.

‘A man?’ I said.

‘A man.’

And the girls stood so still, and their voices were so flat and toneless and dead that I could scarcely breathe; yet somehow I gathered the strength to tiptoe out of my room and towards theirs.

‘Stay here,’ I whispered, but they wouldn’t let me leave them, so we shuffled together down the staircase, their tiny hands squeezing mine as we listened. And it was only the silence – the pure, solid hush of night – that began, finally, to calm me. Blood flowed back to my face and neck, and I started to feel like an adult again. Like a father.

‘Are you sure you weren’t dreaming?’

‘It wasn’t a dream. It was real. He was there.’

Into their room we went, and the snap of the electric light instantly illuminated everything, revealing nothing, no one. I flung open the wardrobe doors; lifted the duvet, with its chalk-blue swirls, to search beneath their bed. Unvacuumed carpet and misplaced toys – but no one there.

‘What did he look like?’

‘He . . . he . . .’ Their voices quivered, as feeling returned, and they fumbled for their words. ‘It was dark. We couldn’t see.’

Down another flight, to the ground floor, where we flooded each room with reassuring light. We checked everything: windows, doors, locks. Nothing was open, nothing was smashed. Bewildered, the girls turned to each other, half in search of support, half in suspicion. We retraced our steps.

‘Where did you see him?’ I asked. ‘Show me.’ And, just like that, all synchrony in their words and movements fell apart.

‘He was out here,’ Sylvie said, her finger charting vaguely across the landing. ‘We saw him through the doorway.’

But Cassia jerked her head and cried, ‘No, no, he came into our room!’

‘But the door was closed.’

‘Exactly.’

And suddenly they both seemed very tired. I stroked and kissed their heads; strands of their static blonde hair gleamed in the low light.

‘It must have been a dream,’ I said.

‘It wasn’t a dream.’

‘Let’s get you back to bed.’

‘Why can’t we sleep with you?’

The girls’ night visits persisted for several weeks, and I dozed through each one more deeply than the last, until the visits themselves took on a dreamlike quality; until sometimes it was only the girls’ presence the next morning – their tiny bodies curled up next to mine – that reminded me of their appearance in the night, and of what they’d said.

Then the visits stopped, just as they’d begun: suddenly and without explanation. I woke each morning to an empty bed, and the memory of the whole thing started to fade. I never asked the girls if the nightmares had ceased. They must have, or else why had the visits? Nor did I question why they’d begun in the first place, nine long months after the accident. I pushed those thoughts to the back of my mind – assuming it had all meant nothing; assuming it had run its course.

It was only this morning, when Marian came round with jam tarts and tears, and the girls told me about Black Mamba, that I remembered, in a rush, those moonlit serenades from a month ago – the girls’ dead eyes and voices, and the things they’d said, echoing in my head like a leitmotif; strings that keen and tremble long after being touched.

Julia

I’ve come to the house – not because I want to, but because he’s asked me to.

Hart House, No. 4, Allington Square, London: the house where I grew up. I loved it once, as we all did, and part of me still does. My happiest memories are connected to this house, as well as the most frightening, which makes for what people in my profession call a ‘compound emotional response’. In every room, the walls are pale and blank, but they bear, in my mind’s eye, the imprint of a thousand smiles; a palimpsest of all the birthdays I’ve celebrated within them – nearly 100, for no fewer than seven people.

Two of those people are dead now. I see them in the walls here too.

Alfie opens the front door with a soft smile.

. That’s what I thought of him when we first met, almost a decade ago. Now he’s pretty but damaged, his face lined, his sandy hair mazy and thick. He looks more grizzled than he used to, though not as a result of maturity, but of trauma. I’m not judging. I look dreadful too, or at least assume that I do. I haven’t looked in a mirror properly since the accident.

‘Thanks for coming,’ he says, taking my coat. Still a gentleman, I think, even after all that’s happened.

, I realise, sadly. He was never like this when Pippa was alive. I’d come to visit, and Alfie wouldn’t so much as look up from the telly. He’d just call out, cheerily, from where he lay on the sofa, one twin tucked beneath each brawny arm, and jut out his cheek for me to kiss. Now I watch him fold my scarf before draping it carefully over the bannister, and his tenderness is hard to bear. We move into the kitchen, and I distract myself by looking at the girls’ latest drawings, pinned to the fridge by magnets.

‘They’re in bed,’ I hear him say. I nod without turning. Sylvie has drawn a whirl of falling petals, with hard black outlines and softly smudged interiors. Cassia has drawn blue crystals, cold and clear. The girls’ names, in the far corners, are calligraphed with letters that put my own crabbed scrawl to shame. I brush my hand reverently across the paper.

It’s dark outside, and cold in the kitchen. I hear the clink of mugs, the flick of the kettle. Alfie’s brewing tea. Normally when we’re together, we drink – really drink – but not tonight. Today is the first of the month, just like the day of the accident. Wine would feel inappropriate, as it often does when you need it most.

I assume he needs it. Maybe that’s just projection. I should try to find out.

‘How are you?’ I ask, keeping my back turned.

‘Fine,’ he answers, speaking into the sink. His voice is flat, unreadable, but I don’t argue. For all I know it might be true, on most days at least. I’m fine most days too. The anguish has finally eased. I know, instinctively, that he’s at his worst when he’s around me, just as I’m at my worst when he invites me to Hart House.

He pours some tea into my favourite mug, black and speckled with stars, and we sit at the table. The stars appear only when the mug is hot; by the time around half have been snuffed out, it’s safe to drink.

‘How are you?’ he parries, eventually, fiddling with the handle of his own mug, which looks tiny next to the span of his palm and fingers. Alfie’s a big man; a smart one, too, and softly spoken.

‘I’m fine, too, I guess. Keeping busy.’

He nods, tightly. There’s something on his mind, something he wants to tell me. This wasn’t a routine invitation; I thought that on the phone this afternoon. Something about his voice – breathless, catching – struck me as off.

‘At the clinic?’

‘Mm,’ I say. ‘Finally seeing a full roster again. More or less.’

After the accident, I couldn’t work for months. I took long-term sick leave, which only made things worse. I needed to work and I needed therapy, but – given my day job – both options felt closed to me. Like a cold, there was no cure; I just had to wait it out. Things are better now, at least a bit. I can work through my pain. I can talk about it. Other people can give me theirs again.

I sip some tea to mask the awkward silence, and burn my tongue. The stars are still shining furiously. I only have myself to blame.

‘Have they called you again?’ I ask. ‘KCL, I mean. About going back.’ Alfie’s worked at universities for as long as I’ve known him.

‘No, no,’ he says quickly. ‘There’s no pressure. Not this year.’ Whatever’s bothering him, then, it isn’t that.

I push my mug to one side, and do what I do with all...