Fulcher Debussy and His World

1. Auflage 2001
ISBN: 978-1-4008-3195-1
Verlag: De Gruyter
Format: PDF
Kopierschutz: 1 - PDF Watermark

E-Book, Englisch, 408 Seiten

Reihe: The Bard Music Festival

FulcherJane:

Jane F. Fulcher is Professor of Musicology at Indiana University. She is the author of The Nation's Image: French Grand Opera as Politics and Politicized Art, French Cultural Politics and Music from the Dreyfus Affair to the First World War, and Composers, Intellectuals, and Politics in France from the First to the Second World War (forthcoming). She has served as Directeur d'Etudes Associé at the Ecole des Hautes Etudes en Sciences Sociales in Paris and Directeur de Recherches at the Centre Nationale de la Recherche Scientifique in Paris.Jane F. Fulcher is Professor of Musicology at Indiana University. She is the author of The Nation's Image: French Grand Opera as Politics and Politicized Art, French Cultural Politics and Music from the Dreyfus Affair to the First World War, and Composers, Intellectuals, and Politics in France from the First to the Second World War (forthcoming). She has served as Directeur d'Etudes Associé at the Ecole des Hautes Etudes en Sciences Sociales in Paris and Directeur de Recherches at the Centre Nationale de la Recherche Scientifique in Paris.

Autoren/Hrsg.

Fulcher, Jane

Fachgebiete

• Geisteswissenschaften Musikwissenschaft Geschichte der Musik

Inhaltsverzeichnis

Acknowledgments ix

PART I THE EVOLUTION

Introduction: Constructions and Reconstructions of Debussy by JANE F. FULCHER 1

Debussy's Rome Cantatas by JOHN R. CLEVENGER 9

Debussy, Gautier, and "Les Papillons" by MARIE ROLF 99

Bilitis and Tanagra: Afternoons with Nude Women by DAVID GRAYSON 117

Beyond the Illusions of Realism: Painting and Debussy's Break with Tradition by LEON BOTSTEIN I41

The Symphony in Debussy's World: A Context for His Views on the Genre and Early Interpretations of La Mer by BRIAN HART 151

Speaking the Truth to Power: The Dialogic Element in Debussy's Wartime Compositions by JANE F. FULCHER 2O3

PART II THE CONTEXT

Debussy, Faure, and d'Indy and Conceptions of the Artist: The Institutions, the Dialogues, the Conflicts by GAIL HILSON WOLDU 235

Debussy, Mallarme, and "Les Mardis" by ROSEMARY LLOYD 255

Debussy in Fin-de-Siecle Paris by CHRISTOPHE CHARLE 271

PART III DOCUMENTS

Debussy's Paris Gonservatoire Training COLLECTED, EDITED, AND INTRODUCED BY JOHN R. CLEVENGER 299

"Le Cas Debussy": Revisions and Polemics about the Composer's "New Manner" COLLECTED AND TRANSLATED BY BRIAN HART 363

Index 383

Notes on Contributors 394

Über Autor(innen)

Jane F. Fulcher is Professor of Musicology at Indiana University. She is the author of The Nation's Image: French Grand Opera as Politics and Politicized Art, French Cultural Politics and Music from the Dreyfus Affair to the First World War, and Composers, Intellectuals, and Politics in France from the First to the Second World War (forthcoming). She has served as Directeur d'Etudes Associé at the Ecole des Hautes Etudes en Sciences Sociales in Paris and Directeur de Recherches at the Centre Nationale de la Recherche Scientifique in Paris.