Furuhata Cinema of Actuality

Japanese Avant-Garde Filmmaking in the Season of Image Politics
1. Auflage 2013
ISBN: 978-0-8223-7753-5
Verlag: De Gruyter
Format: PDF
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)

E-Book, Englisch, 280 Seiten

Reihe: Asia-Pacific: Culture, Politics, and Society

Cinema of Actuality analyzes Japanese avant-garde filmmakers' struggle to radicalize cinema in light of the intensifying politics of spectacle and a rapidly changing media environment, one that was increasingly dominated by television.

Autoren/Hrsg.

Furuhata, Yuriko

Fachgebiete

• Geisteswissenschaften Kunst Kunststile Asiatische Kunst
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmgeschichte
• Geisteswissenschaften Kunst Kunstgeschichte Kunstgeschichte: 20./21. Jahrhundert

Inhaltsverzeichnis

Acknowledgments vii
Introduction 1
1. Intermedial Experiments and the Rise of the Eizo Discourse 13
2. Cinema, Event, and Artifactuality 53
3. Remediating Journalism: Politics and the Media Event 88
4. Diagramming the Landscape: Power and the Fukeiron Discourse 115
5. Hijacking Television: News and Militant Cinema 149
Conclusion 183
Notes 203
Bibliography 239
Index 255

Über Autor(innen)

Yuriko Furuhata is Assistant Professor in the Department of East Asian Studies and the World Cinemas Program at McGill University.