Gander / Unknown / Garland Mixed messages

American correspondences in visual and verbal practices
1. Auflage 2016
ISBN: 978-1-5261-0179-2
Verlag: De Gruyter
Format: PDF
Kopierschutz: PC/MAC/eReader/Tablet

E-Book, Englisch, 240 Seiten

Addresses a genuine gap in word and image studies. It offers fresh conceptual frameworks in which to think about the relationship between visual and verbal practices, with American works and artefacts positioned within the context of the American philosophical tradition.

Autoren/Hrsg.

Unknown,

Gander, Catherine

Garland, Sarah

Fachgebiete

• Geisteswissenschaften Kunst Kunstgeschichte Kunstgeschichte: 20./21. Jahrhundert

Inhaltsverzeichnis

Foreword - Miles Orvell
Introduction - Catherine Gander and Sarah Garland
1. A poetics of organic expression: Louis Sullivan's transcendentalist legacy in word and image - Lauren S. Weingarden
2. Photographic studies in the Hawthornes' American note-books - Jessie Morgan-Owens
3. Fragments of the future: Walker Evans's polaroids - Caroline Blinder
4. Cartooning the marvelous: word and image in Chicago Surrealism - Joanna Pawlik
5. 'Twenty-six things at once': Pragmatic perspectives on Frank O'Hara and Norman Bluhm's Poem-Paintings - Catherine Gander
6. 'Being kept in the dark can be a critical gesture': Arakawa and Madeline Gins' Mechanism of Meaning - Sarah Garland
7. 'Then art will change. This is the future': Nancy Spero's manifestary practice - Rachel Warriner
8. Forms of potential: reading Lawrence Weiner - Katie L. Price
9. Testimony by hand: Ann Hamilton's myein - Julie Brown
10. Reading with a knife, or the book art of subtraction: Brian Dettmer and Doug Beube's altered books - Katy Masuga
Envoi - Catherine Gander and Sarah Garland
Index

Über Autor(innen)

Catherine Gander is Lecturer in American Literature and Visual Culture at Queen's University Belfast

Sarah Garland is Lecturer in American Literature and Visual Culture at the University of East Anglia