Buch, Englisch, 200 Seiten, Format (B × H): 232 mm x 155 mm, Gewicht: 310 g
Buch, Englisch, 200 Seiten, Format (B × H): 232 mm x 155 mm, Gewicht: 310 g
Reihe: Routledge Library Editions: Renaissance Drama
ISBN: 978-1-138-27996-4
Verlag: Taylor & Francis Ltd
The first decade of the Jacobean age witnessed a sudden profusion of comedies satirizing city life; among these were comedies by Ben Jonson, John Marston and Thomas Middleton, as well as the bulk of the repertory of the newly-established children’s companies at Blackfriars and Paul’s. The playwrights self-consciously forged a new genre which attracted London audiences with its images of folly and vice in Court and City, and hack-writing dramatists were prompt to cash in on a new theatrical fashion.
This study, first published in 1980, examines ways in which the Jacobean city comedy reflect on the self-consciousness of audiences and the concern of the dramatists with Jacobean society. This title will be of interest of students of Renaissance Drama, English Literature and Performance.
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Weitere Infos & Material
Preface to the Second Edition; Acknowledgements; 1. City comedy as a genre 2. A fountain stirr’d: city comedy in relation to the social and economic background 3. The approaching equinox: politics and city comedy 4. To strip the ragged follies of the time 5. Marston and the Court: folly and corruption 6. Money makes the world go around: the city satirized 7. Conventional plays 1604-7 8. Middleton and Jonson 9. Bartholomew Fair and The Devil Is an Ass: city comedy at the zenith; Appendix; Notes; Select bibliography; Index