Goodall Stage Presence

Erscheinungsjahr 2008
ISBN: 978-1-134-15649-8
Verlag: CRC Press
Format: PDF
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)

E-Book, Englisch, 232 Seiten

Focusing on examples of live performance in drama, dance, opera and light entertainment, Jane Goodall explores a characteristic as compelling and enigmatic as the performers who demonstrate it.

The mysterious quality of ‘presence’ in a performer has strong resonances with the uncanny. It is associated with primal, animal qualities in human individuals, but also has connotations of divinity and the supernatural, relating to figures of evil as well as heroism. Stage Presence traces these themes through theatrical history.

This fascinating study also explores the blend of science and spirituality that accompanies the appreciation of human power. Performers display a magnetism of their audiences; they electrify them, exhibit mesmeric command, and develop chemistry in their communication.

Case studies include: Josephine Baker, Sarah Bernhardt, Thomas Betterton, David Bowie, Maria Callas, Bob Dylan, David Garrick, Barry Humphries, Henry Irving, Vaslav Nijinsky and Paul Robeson.

Autoren/Hrsg.

Goodall, Jane

Fachgebiete

• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Theaterwissenschaft Theatergeschichte

Inhaltsverzeichnis

Introduction 1. The Supreme Attribute 2. Drawing Power 3. Mesmerism 4. Dash and Flash 5. Being Present. Bibliography. Index

Über Autor(innen)

Jane Goodall is a Professor with the Writing and Society Research Group at the University of Western Sydney. She is the author of Performance and Evolution in the Age of Darwin (Routledge 2002) and has published widely on experimental performance. She has also published several crime thrillers.