Buch, Englisch, 241 Seiten, Paperback, Format (B × H): 155 mm x 235 mm, Gewicht: 400 g
Past, Present and Potential Futures
Buch, Englisch, 241 Seiten, Paperback, Format (B × H): 155 mm x 235 mm, Gewicht: 400 g
Reihe: Palgrave Studies in Comics and Graphic Novels
ISBN: 978-3-031-07355-7
Verlag: Springer International Publishing
Zielgruppe
Research
Autoren/Hrsg.
Fachgebiete
Weitere Infos & Material
Why Does Comics Studies Need Art History (and Vice Versa)?.- Disciplinary and Methodological Concerns.- Part I: The History of Art History and Comics Studies.- Part II: Possibilities for Comics Art History Now.- References.- Part I The History of Art History and Comics Studies.- Establishing Canons, Styles and Schools at the Dawn of Comics Studies.- Creating Classical Canons.- Defining Styles and Schools.- References.- Iconography and Cultural History in Comics Studies.- Iconography as Method and Methodology.- Cultural History as a Critical Framework.- References.- Art History Turned Upside Down: David Kunzle and the Social History of Art.- Volume 1: Exe/orcising Gombrich.- New Left Art History.- How Karl Marx Prevailed over Carl Barks.- Volume 2: The Social History of Comics.- References.- Variations of Formalism, Modernism, Abstraction.- Claude Moliterni: A Formalism of Narrative Technique.- Gerald Gassiot-Talabot: Comics Against Formalism and Abstraction?.- Comics (and the) Modernist Avant-Garde.- Andrei Molotiu: Abstract Comics Formalism.- Abstraction Beyond Modernist Formalism.- References.- Part II Possibilities for Comics Art History Now.- Challenging Canons and the Challenge of Style: Visualising the Baroque Storyworld of Judge Dredd’s “The Cursed Earth”.- Contesting Canons in Comics Studies.- The Challenge of Style for Comics Studies.- Styles and Schools as Canonical Markers.- Picturing a Baroque Storyworld: Seeing “The Cursed Earth” Through Wolfflin’s Comparative Methodology.- The Limits and Potential of Wolfflin’s Analysis of Style for Comics Studies.- References.- Iconography for Comics Studies Reconsidered: Interpreting Visual Transformations in Jack Kirby’s The Mighty Thor.- From Iconography to Iconology.- The Semiotic Turn in Art History (and Comics Studies).- Thump, Karrrack! The Iconology of Transformation in Thor.- The Challenge of Iconography and Iconology for Comic Studies (and Art History).- References.- Cultural History for Comics Studies: Reinterpreting the Eagle and “Dan Dare - Pilot of the Future”.- From Iconology to Cultural History.- The Discourse of Cultural Studies Within Comics Studies.- Recontextualising the Eagle and “Dan Dare - Pilot of the Future”.- Daring to Use Cultural History in Comics Studies.- References.- A Social History of Comics Art: Looking at Writers and Readers’ Capitalism for Beginners.- Marxist Art History and Comics.- Style, Ideology and Class.- Ideology and Autonomy.- Affect, Materiality and Ways of Reading and Seeing.- Writers and Readers. for Beginners Comic Books.- Relations of Production, Distribution and Consumption.- Style, Materiality and the Politics of Form.- Ways of Reading and Looking.- References.- Re-framing the Avant-Garde: Different Ways of Seeing Escape.- Positioning the Avant-Garde in Comics Studies.- Unpopular Culture and Postmodern Modernism.- Framing the Avant-Garde in Art History.- Advancing Towards the Picture Plane.- AdvancingAgainst Art and into Life.- Advancing as Reaction and Repetition.- Advancing Beyond the Frame.- Escape Artistry.- Reading Escape as Unpopular Culture.- Small Press and Alternative Avant-Gardes.- A Mainstream Alternative.- Putting Comics Studies in the Frame.- References.- Modernism and Comics Revisited: Form and Fragmentation in Alan Moore’s “I Can Hear the Grass Grow”.- Comics and Modernism.- Modernism in Art History.- The Significance of Form.- The Specificity of Medium.- The Defence of Autonomy.- The Occlusions of Modernist Criticism.- Reframing Modernism and Comics.- I Can Hear the Grass Grow.- Form: The Abstract Underscore, Medium and Modernism.- A Medium of Fragments: Modernity, Montage and the Politics of Form.- References.- Conclusion: Future Directions.- References.- Index.