Griffin Free and Easy?

A Defining History of the American Film Musical Genre
1. Auflage 2017
ISBN: 978-1-118-32290-1
Verlag: John Wiley & Sons
Format: EPUB
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)

E-Book, Englisch, 376 Seiten, E-Book

A History of the American Musical narrates the evolution of the film musical genre, discussing its influences and how it has come to be defined; the first text on this subject for over two decades, it employs the very latest concepts and research.
* The most up-to-date text on the subject, with uniquely comprehensive coverage and employing the very latest concepts and research
* Surveys centuries of music history from the music and dance of Native Americans to contemporary music performance in streaming media
* Examines the different ways the film musical genre has been defined, what gets counted as a musical, why, and who gets to make that decision
* The text is written in an accessible manner for general cinema and musical theatre buffs, whilst retaining theoretical rigour in research
* Describes the contributions made to the genre by marginalized or subordinated identity groups who have helped invent and shape the musical

Autoren/Hrsg.

Griffin, Sean

Inhaltsverzeichnis

Acknowledgments vii
Introduction 1
1 Overture: Musical Traditions before Cinema 11
2 You Ain't Heard Nothin' Yet: The Sound Revolution 35
3 Face the Music and Dance: The Depression 67
4 Singing a Song of Freedom: World War II 97
5 There's Beauty Everywhere: MGM and the Freed Unit 125
6 Something's Gotta Give: The Postwar Musical 147
7 Bustin' Out All Over: The Rise of the Musical Blockbuster 175
8 In a Minor Key: The B Musical and Beyond 197
9 The Sound of Money: Musicals in the 1960s 225
10 Whistling in the Dark: A Genre in Crisis 251
11 Can't Stop the Music: Musicals and the New Hollywood 279
12 Just Like Scheherezade: Reviving the Musical Film Genre 307
Index 335

Über Autor(innen)

Sean Griffin is a Professor of Film and Media Arts at Southern Methodist University. He is the author of Tinker Belles and Evil Queens: The Walt Disney Company from the Inside Out (1999). He is the editor of Hetero: Queering Representations of Straightness (2009) and What Dreams Were Made of: Movie Stars of the 1940s (2011). He co-edited Queer Cinema, The Film Reader (with Harry M. Benshoff, 2005), and co-authored America on Film: Representing Race, Class, Gender and Sexuality at the Movies (Wiley Blackwell , 2009) and Queer Images: A History of Gay and Lesbian Film in America (2006).