Hopkins Shakespearean Allusion in Crime Fiction

DCI Shakespeare
1. Auflage 2016
ISBN: 978-1-137-53875-8
Verlag: Palgrave Macmillan UK
Format: PDF
Kopierschutz: 1 - PDF Watermark

E-Book, Englisch, 208 Seiten

Reihe: Palgrave Shakespeare Studies

This book explores why crime fiction so often alludes to Shakespeare. It ranges widely over a variety of authors including classic golden age crime writers such as the four ‘queens of crime’ (Allingham, Christie, Marsh, Sayers), Nicholas Blake and Edmund Crispin, as well as more recent authors such as Reginald Hill, Kate Atkinson and Val McDermid.  It also looks at the fondness for Shakespearean allusion in a number of television crime series, most notably Midsomer Murders , Inspector Morse  and Lewis , and considers the special sub-genre of detective stories in which a lost Shakespeare play is found. It shows how Shakespeare facilitates discussions about what constitutes justice, what authorises the detective to track down the villain, who owns the countryside, national and social identities, and the question of how we measure cultural value.

Zielgruppe

Research

Autoren/Hrsg.

Hopkins, Lisa

Inhaltsverzeichnis

Acknowledgements.- Introduction.- 1. Wild Justice: Mercy, Revenge and the Detective.- 2. Who Owns the Wood? Appropriating A Midsummer Night’s Dream .- 3. Border Patrol: Shakespearean Allusions and Social and National Identities.- 4. Stealing Shakespeare: Detective Fiction and Cultural Value.- Conclusion.- Notes.- Bibliography.- Index.

Über Autor(innen)

Lisa Hopkins is Professor of English at Sheffield Hallam University, UK, and co-editor of Shakespeare , the journal of the British Shakespeare Society.  She has published widely on Shakespeare, Marlowe and Ford.