Buch, Englisch, 258 Seiten, Format (B × H): 156 mm x 234 mm, Gewicht: 540 g
Reihe: SOAS Studies in Music
Music and Place in East Asia
Buch, Englisch, 258 Seiten, Format (B × H): 156 mm x 234 mm, Gewicht: 540 g
Reihe: SOAS Studies in Music
ISBN: 978-0-367-34508-2
Verlag: Taylor & Francis Ltd (Sales)
The volume brings together scholars from Australia, China, Denmark, Japan, Korea, Taiwan, and the UK, each of whom explores a specific genre or topic in depth. Each nuanced account finds distinct and at times different aspects to be significant but, in demonstrating the ability of music to mediate the construction of place and by showing how those who create and consume music use it to inhabit the intimate, and to project themselves out into their surroundings, each points to interconnections across the region and beyond with respect to perception, conception, expression, and interpretation.
In Presence Through Sound, ethnomusicology meets anthropology, literature, linguistics, area studies, and – particularly pertinent to East Asia in the twenty-first century – local musicologies. The volume serves a broad academic readership and provides an essential resource for all those interested in East Asia.
Autoren/Hrsg.
Fachgebiete
Weitere Infos & Material
Catherine Ingram and Keith Howard
Introduction: Reflections on the significance of place for East Asian musical traditions
China
1 Catherine Ingram
The Shifting Strength of Place in Contemporary Big Song Singing from Southwestern China
2 Anne E. McLaren
From the Heart of the Lake Booms a Mountain Song: Sense of Place in the Song-Cycles of Coastal China
3 Min Yen ONG
Bringing the Past to Life: Creating and Contesting Place in Kunqu Singing Practices
4 Lu LIU
Beijing in the Contemporary Pipa World
Tibet
5 Gerald Roche
The Alphabetical Order of Things: The Language of Place and the Place of Language in Tibetan Song
Taiwan
6 Yang Ming TEOH
Lingering Across the Ocean, Rooted on the Island: Indigenous Music and the Notions of Mountain and Sea as Taiwanese Identifiers
Korea
7 Keith Howard
The Constructed Soundscapes of Place in Korea, South and North
8 Hee-sun KIM
Place as Brand: The Role of Place in the Construction of Contemporary Traditional Music in South Korea
9 Hilary Finchum-Sung
The Sonic Habitus of Silk and Wood: Kugak’s Twenty-First-Century Terrain
10 Roald Maliangkay
Not a Habitus for the Have-Nots: The Walker Hill Shows, 1962–2012
Japan
11 Naoko TERAUCHI
Gagaku and the Kasuga Wakamiya Onmatsuri Festival of Nara: From the Sound of Authority to the Sound of Local Identity
12 Hugh de Ferranti
Biwa’s Place in Modern Times
13 Kiku Day
Place and Locality in Fuke-Style Shakuhachi: The Case of Nezasa-ha Kinpuryu