E-Book, Englisch, 308 Seiten
Jackson The Complete Seraphin Messages, Volume I
1. Auflage 2020
ISBN: 978-3-7526-9313-3
Verlag: BoD - Books on Demand
Format: EPUB
Kopierschutz: 6 - ePub Watermark
Ten years of telepathic communication with an angel
E-Book, Englisch, 308 Seiten
ISBN: 978-3-7526-9313-3
Verlag: BoD - Books on Demand
Format: EPUB
Kopierschutz: 6 - ePub Watermark
Rosie Jackson is author, artist, composer and founder of The Spiritual Revolution Project. This encompasses paintings, music, videos, books and seminars to develop self-awareness. Teaching spiritual principles to promote consciousness, her music and art are powerful catalysts of spiritual uplift. Her Unity Tarot illustrates the transformation of 100 global villagers in 2 large paintings and 100 written biographies. Since 2010, Rosie Jackson has been receiving telepathic messages and visions from the angel, Seraphin. These communications urge us to protect our earth and show us how paradise on earth can be achieved. The messages are presently available in English, German, Italian, Spanish, Dutch and Korean. Born in England, Rosie Jackson studied German and French and qualified as a teacher. She has worked as an instructor in China, and as translator, designer and editor for publishing houses and companies in Europe. She now works freelance as an artist and spiritual teacher in Germany and Italy. rosie@rosiejackson.de.
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Weitere Infos & Material
Seraphin Message 8:
ASKING WHEN IN THE ETERNAL PICNIC
Through Rosie, Nov. 3, 2010
Rosie: Seraphin, many people are presently in a state of intense anticipation, longing for the dark to be eradicated, waiting for “big changes” to occur, holding their breath, and asking when will all this manifest?
Seraphin: Yes, Beloved. They are focusing on the future which has not yet occurred (though on another plane it already has). And during this process they are holding their breath, preventing them from fully experiencing the NOW, breathing in the NOW deeply, with all its opportunities, digesting it fully and then letting it go by breathing out. Their breath is shallow and haphazard.
The question WHEN WILL IT HAPPEN? seems strange to us who are aware of eternity. This question can always be asked because eternity is always there.
Can you see the irony of this? Something always happens next. If you want to, you can spend eternity asking this question and wait. Or you can choose to purposely create within your present parameters, in the knowledge that your creative power can change these parameters. This is a creative journey, NOT A STOP-AND-GO TRAFFIC JAM on the way to the ultimate celestial party, punctuated by the frustration of having to stop at a red light.
Some people have found their life partners while stuck in traffic jams, all because they got out of the car and started talking to the person behind them, instead of constantly looking forward and straining their eyes to see if the cars ahead are moving.
Such side-stepping experiences are inward movement, opening up new unexpected dimensions and opportunities. The soul is capable of travelling at a tremendous pace. And so, the question of “when” becomes irrelevant. When you live like this you are even disappointed when “when” arrives, as you have had such interesting encounters in the meantime. Now you have to break them off and get back into your car because the cars in front are moving.
So I say to you: time to get out and mingle and have a picnic with anyone around you. Make use of this golden opportunity, and all golden opportunities, to distribute mind-food to your fellow travellers, and to receive it. The party has already begun.
Seraphin Message 9:
THE WONDROUS VOYAGE INTO LIGHT
Through Rosie, 9th November 2010
Rosie While I was lying down on the banks of the river, I heard a train whistling in the distance. What do you want to tell me about this, Seraphin?
Seraphin: There is no need to push the train of life through eternity towards the light. It will get there by itself. It has a destination and the tracks are set in stone, immoveable as it were. And the carriages are also a permanent feature, though some may be divided up or sent on other tracks to different places. With the right fuel and staff and divine guidance, the train can set off. Pushing the train from behind, or speaking your encouragement to the train, or cursing the train if it is later than advertised, will not actually have much effect on the pace of the journey. We can rant and complain, we can notice what is going on inside or outside the window at will. We can check our watches constantly, or we can read an engrossing book, or engage in conversation with our fellow passengers, change carriages if we want to avoid someone, change carriages again if the same person follows, confront the unpleasant feelings they may evoke, or move on again. Sometimes, we put up defences and remain in stony silence. Sometimes we fall into ecstasy because we meet a kindred spirit (All this time, the train is still running).
Sometimes, like in the overcrowded compartments (that you have experienced in China), it is impossible to avoid the proximity of others, in fact you can hardly move, but this is not the fault of the train itself, or those who allow the train to overfill, but more a consequence of your decision to board and how much luggage you drag with you.
How do you choose to travel? Lightly, with only a toothbrush (like some of the Chinese you have met), or slowly, loaded with extra baggage, an outfit for every occasion? What do you really need? Are you so conscious and convinced of your own powers, capabilities and resources that you are confident enough to travel alone, with nothing to fall back on except your own creativity, your own divinity?
The train is travelling with you on it, Beloveds. You cannot doubt or argue about the destination for you have chosen it. The only difference in your journeys is the way you experience it, the way you contribute to it, the way you reflect on it, the action you take during it. This we say to encourage you and to say that creative power and imagination are essential survival tools to be utilised during this adventure.
Rosie: Seraphin, could you please summarise more about the train allegory we have been speaking of, and continue that metaphor with relevance to our present situation?
Seraphin: Yes, Beloved. The train journey is a long one, and it is unique for every traveller. It is punctuated by stops, sojourns in familiar and unfamiliar places, yet always returning to the experience of the journey towards the light. It is as if you are now experiencing travel through a tunnel, and the tunnel is so long that you have almost forgotten what the light looks like, and you have forgotten what it is like to live in constant contact with that energy.
When you first entered the tunnel, it seemed to happen quickly, almost casually, without warning, and with time you got used to it, refrained from expressing surprise, worn down by time spent in darkness, afflicted by a faintness of memory. And so you came to expect this situation as the “norm”. Now, it is as if announcements have been made over a loudspeaker about the approximate time of arrival at your destination, despite several previous announcements about delays. Some of you are so engrossed in your book or conversation or film or mobile phone and so tired of hearing announcements about delays that you have switched off your hearing. You might sense the words of the announcement vaguely in the background but you do not effort to hear the exact words because you think there is no point to it. You are so accustomed to disappointment. Your attention is elsewhere and you do not string the words together to form meanings.
Those who actually understand the message may start to feel a bit excited about the thought of the destination actually coming nearer and nearer. Some may start to tidy up, go to the toilet, pack things away. Some may consult timetables or maps for the continuation of their journeys and notify their travelling companions. Aware that time is precious and limited, some may wind up conversations and exchange important telephone numbers before it is too late, before the jewels they have gleaned in the course of encounters with fellow travellers go to waste, so that contact can still be held despite going separate ways.
And when the train suddenly comes to a halt at the end of the tunnel, as forewarned, all those who have prepared themselves and who have anticipated the return to the light will rush out joyfully to embrace their next experience, whereas all those who have accustomed themselves to the darkness and have let their attention become completely diverted will receive a sudden shock. They will try to grab their belongings, perhaps leaving things behind in the ensuing chaos, in an attempt to get off the train in time. If they do manage this at all they will be dazed by the light, unaccustomed to its all-clarifying intensity. They will feel helpless and exposed.
Beloved, you have been thinking about the train stations in Cinque Terre, Italy, where you have been several times. Here the trains travel almost constantly through tunnels, and the stations are the only places where light prevails, in small narrow valleys between the mountains. Why do I refer to this? If you do not get off the train at a certain time, you will find yourself in another tunnel, presented with another experience of darkness.
This is, therefore, an admonishment to sharpen your minds while travelling through life’s experiences, to look beyond the cardboard cut-outs and silhouettes, to look beyond all that seems “normal” or “traditional” in structure. This critical appraisal will bode well in the days to come, for many things which appear “real” and “rock solid” will flow away like water.
You can hardly imagine how you have been deceived, or how you have been deceiving yourselves. The end of the journey, of this stage of the journey at least, is in sight, and it is your decision which fruits you shall bear and which knowledge you shall gain during its passage. We rejoice with you, we welcome your positive participation in this wondrous voyage towards the light.
Seraphin Message 10:
CRUSHED CREATIVITY IN THE DARK ROOM
Through Rosie, 18th November 2010
Rosie: Dear Seraphin, I feel there is something you want to say through me about creativity and the significance thereof.
Seraphin: Yes, Beloved. Crushed creativity has been a symptom of these past years of limited self-expression. In some people’s minds the past period in earth’s history has been one of plenty, but I would ask you to consider other parts of the world, and I would ask you to consider that this is part of a GROSS DECEPTION. The...




