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E-Book

E-Book, Englisch, 89 Seiten

Reihe: Henry James Collection

James The Middle Years


1. Auflage 2015
ISBN: 978-1-5080-2244-2
Verlag: Dead Dodo Presents Henry James
Format: EPUB
Kopierschutz: 0 - No protection

E-Book, Englisch, 89 Seiten

Reihe: Henry James Collection

ISBN: 978-1-5080-2244-2
Verlag: Dead Dodo Presents Henry James
Format: EPUB
Kopierschutz: 0 - No protection



Dodo Collections brings you another classic from Henry James, 'The Middle Years'.
 
It may be the most affecting and profound of James's stories about writers. The novelist in the tale speculates that he has spent his whole life learning how to write, so a second life would make sense, 'to apply the lesson.' Second lives aren't usually available, so the novelist says of himself and his fellow artists: 'We work in the dark--we do what we can--we give what we have. Our doubt is our passion and our passion is our task. The rest is the madness of art.'
 
Henry James, OM (15 April 1843 - 28 February 1916) was an American writer who spent most of his writing career in Britain. He is regarded as one of the key figures of 19th-century literary realism. He was the son of Henry James, Sr. and the brother of philosopher and psychologist William James and diarist Alice James.
 
He is best known for a number of novels showing Americans encountering Europe and Europeans. His method of writing from a character's point of view allowed him to explore issues related to consciousness and perception, and his style in later works has been compared to impressionist painting. His imaginative use of point of view, interior monologue and unreliable narrators brought a new depth to narrative fiction.
 
James contributed significantly to literary criticism, particularly in his insistence that writers be allowed the greatest possible freedom in presenting their view of the world. James claimed that a text must first and foremost be realistic and contain a representation of life that is recognizable to its readers. Good novels, to James, show life in action and are, most importantly, interesting.
In addition to his voluminous works of fiction he published articles and books of travel, biography, autobiography, and criticism, and wrote plays. James alternated between America and Europe for the first twenty years of his life; eventually he settled in England, becoming a British subject in 1915, one year before his death. James was nominated for the Nobel Prize in Literature in 1911, 1912, and 1916.

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CHAPTER I
……………… IF THE AUTHOR OF THIS meandering record has noted elsewhere that an event occurring early in 1870 was to mark the end of his youth, he is moved here at once to qualify in one or two respects that emphasis. Everything depends in such a view on what one means by one’s youth—so shifting a consciousness is this, and so related at the same time to many different matters. We are never old, that is we never cease easily to be young, for all life at the same time: youth is an army, the whole battalion of our faculties and our freshnesses, our passions and our illusions, on a considerably reluctant march into the enemy’s country, the country of the general lost freshness; and I think it throws out at least as many stragglers behind as skirmishers ahead—stragglers who often catch up but belatedly with the main body, and even in many a case never catch up at all. Or under another figure it is a book in several volumes, and even at this a mere instalment of the large library of life, with a volume here and there closing, as something in the clap of its covers may assure us, while another remains either completely agape or kept open by a fond finger thrust in between the leaves. A volume, and a most substantial, had felt its pages very gravely pressed together before the winter’s end that I have spoken of, but a restriction may still bear, and blessedly enough, as I gather from memory, on my sense of the whole year then terminated—a year seen by me now in the light of agitations, explorations, initiations (I scarce know how endearingly enough to name them!) which I should call fairly infantine in their indifference to proportions and aims, had they not still more left with me effects and possessions that even yet lend themselves to estimation. It was at any rate impossible to have been younger, in spite of whatever inevitable submissions to the rather violent push forward at certain particular points and on linescorresponding with them, than I found myself, from the first day of March 1869, in the face of an opportunity that affected me then and there as the happiest, the most interesting, the most alluring and beguiling, that could ever have opened before a somewhat disabled young man who was about to complete his twenty-sixth year. Treasures of susceptibility, treasures not only unconscious of the remotest approach to exhaustion, but, given the dazzling possibilities, positively and ideally intact, I now recognise—I in fact long ago recognised—on the part of that intensely “reacting” small organism; which couldn’t have been in higher spirits or made more inward fuss about the matter if it had come into a property measured not by mere impressions and visions, occasions for play of perception and imagination, mind and soul, but by dollars and “shares,” lands and houses or flocks and herds. It is to the account of that immense fantastication that I set down a state of mind so out of proportion to anything it could point to round about save by the vaguest of foolish-looking gestures; and it would perhaps in truth be hard to say whether in the mixture of spirit and sense so determined the fact of innocence or that of intelligence most prevailed. I like to recover this really prodigious flush—as my reader, clearly, must perceive I do; I like fairly to hang about a particular small hour of that momentous March day—which I have glanced at too, I believe, on some other and less separated page than this—for the sake of the extraordinary gage of experience that it seemed on the spot to offer, and that I had but to take straight up: my life, on so complacently near a view as I now treat myself to, having veritably consisted but in the prolongation of that act. I took up the gage, and as I look back the fullest as well as simplest account of the interval till now strikes me as being that I have never, in common honour, let it drop again. And the small hour was just that of my having landed at Liverpool in the gusty, cloudy, overwhelmingly English morning and pursued, with immediate intensities of appreciation, as I may call the muffled accompaniment for fear of almost indecently overnaming it, a course which had seated me at a late breakfast in the coffee-room of the old Adelphi Hotel ("Radley’s,” as I had to deplore its lately having ceased to be dubbed,) and handed me over without a scruple to my fate. This doom of inordinate exposure to appearances, aspects, images, every protrusive item almost, in the great beheld sum of things, I regard in other words as having settled upon me once for all while I observed for instance that in England the plate of buttered muffin and its cover were sacredly set upon the slop-bowl after hot water had been ingenuously poured into the same, and had seen that circumstance in a perfect cloud of accompaniments. I must have had with my tea and my muffin a boiled egg or two and a dab of marmalade, but it was from a far other store of condiments I most liberally helped myself. I was lucidly aware of so gorging—esoterically, as it were, while I drew out the gustatory process; and I must have said in that lost reference to this scene of my dedication which I mentioned above that I was again and again in the aftertime to win back the homeliest notes of the impression, the damp and darksome light washed in from the steep, black, bricky street, the crackle of the strong draught of the British “sea-coal” fire, much more confident of its function, I thought, than the fires I had left, the rustle of the thick, stiff, loudly unfolded and refolded “Times,” the incomparable truth to type of the waiter, truth to history, to literature, to poetry, to Dickens, to Thackeray, positively to Smollett, and to Hogarth, to every connection that could help me to appropriate him and his setting, an arrangement of things hanging together with a romantic rightness that had the force of a revelation. To what end appropriation became thus eager and romance thus easy one could have asked one’s self only if the idea of connectibility as stretching away and away hadn’t of a sudden taken on such a wealth of suggestion; it represented at once a chain stretching off to heaven knew where, but far into one’s future at least, one’s possibilities of life, and every link and pulse of which it was going accordingly to be indispensable, besides being delightful and wonderful, to recognise. Recognition, I dare say, was what remained, through the adventure of the months to come, the liveliest principle at work; both as bearing on the already known, on things unforgotten and of a sense intensely cultivated and cherished from my younger time, and on the imagined, the unimagined and the unimaginable, a quantity that divided itself somehow into the double muster of its elements, an endless vista or waiting array, down the middle of which I should inconceivably pass—inconceivably save for being sure of some thrilled arrest, some exchange of assurance and response, at every step. Obviously half the charm, as I can but thinly describe it, of the substantially continuous experience the first passages of which I thus note was in the fact that, immensely moved by it as I was, and having so to deal with it—in the anticipatory way or to the whatevers and wherevers and whenevers within me that should find it in order—I yet felt it in no degree as strange or obscure, baffling or unrecognising on its own side; everything was so far from impenetrable that my most general notion was the very ecstasy of understanding and that really wherever I looked, and still more wherever I pressed, I sank in and in up to my nose. This in particular was of the perfect felicity, that while the fact of difference all round me was immense the embarrassment of it was nil—as if the getting into relation with the least waste had been prepared from so far back that a sort of divine economy now fairly ruled. It was doubtless a part of the total fatuity, and perhaps its sublimest mark, that I knew what everything meant, not simply then but for weeks and months after, and was to know less only with increase of knowledge. That must indeed have been of the essence of the general effect and the particular felicity—only not grotesque because, for want of occasion, not immediately exhibited: a consciousness not other than that of a person abruptly introduced into a preoccupied and animated circle and yet so miraculously aware of the matters conversed about as to need no word of explanation before joining in. To say of such a person that he hadn’t lost time would, I knew, be feebly to express his advantage; my likeness to him, at any rate, probably fell short of an absurd one through the chapter of accidents, mostly of the happiest in their way too, which, restraining the personal impulse for me, kept appearances and pretensions down. The feast, as it more and more opened out, was all of the objective, as we have learned so comfortably to say; or at least of its convenient opposite only in so far as this undertook to interpret it for myself alone. To return at all across the years to the gates of the paradise of the first larger initiations is to be ever so tempted to pass them, to push in again and breathe the air of this, that and the other plot of rising ground particularly associated, for memory and gratitude, with the quickening process. The trouble is that with these sacred spots, to later appreciation, the garden of youth is apt...



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