Masculinity at the Movies

1. Auflage 2025
ISBN: 978-1-032-90133-6
Verlag: Routledge

Buch, Englisch, 280 Seiten, Format (B × H): 156 mm x 234 mm, Gewicht: 1240 g

Masculinity at the Movies takes a deep dive into masculinity in film and how Hollywood movies continue to produce and promote masculine stereotypes that place boys and men in constraining identities and dysfunctional patterns of behaviour.

From classic film stars to those of the present day, this textbook unpacks the development of the main male stereotypes in film – villains, heroes and oafs – and how movies can develop healthy new male representations. Alongside Hollywood studio productions, it delves into Black, Native American, Latino and Asian representation as well as LGBTQ masculinity. Going beyond the present, it proposes what healthy masculinity at the movies looks like and where Hollywood should set its sights to create more progressive models of masculinity for the 21st century.

Masculinity at the Movies will provide students of gender studies, media studies, and cultural studies with new insights into stereotypes of men in contemporary film.

Zielgruppe

Postgraduate and Undergraduate Advanced

Autoren/Hrsg.

Keith, Thomas

Fachgebiete

• Sozialwissenschaften Soziologie | Soziale Arbeit Spezielle Soziologie Mediensoziologie
• Sozialwissenschaften Medien- und Kommunikationswissenschaften Medienwissenschaften
• Sozialwissenschaften Soziologie | Soziale Arbeit Soziale Gruppen/Soziale Themen Gender Studies, Geschlechtersoziologie
• Sozialwissenschaften Psychologie Psychologische Disziplinen Sexualpsychologie

Inhaltsverzeichnis

Introduction 1. How a Century of Movies Shaped Masculinity 2. Heroes, Villains, and Oafs, Oh My! 3. Black Masculinity at the Movies 4. Invisible Men: Native Men at the Movies 5. Reel Latinos 6. The Evolution of Asian Masculinity in Film 7. LGBTQ Masculine Representation 8. Animated Masculinity 9. It’s Just a Joke! 10. Healthy Masculine Representation in Film

Über Autor(innen)

Thomas Keith teaches philosophy and gender studies at California State Polytechnic University, Pomona, and Claremont Graduate University. He has written, directed, and produced numerous films, including Generation M: Misogyny in Media and Culture and The Bro Code: How Contemporary Culture Creates Sexist Men.